Subject: AIC annual meeting
Registration materials are *now* available for the American Institute for Conservation of Historic and Artistic Works' (AIC) 24th Annual Meeting to be held in Norfolk, Virginia from June 10-16, 1996: AIC's 24th Annual Meeting will be held in Norfolk, Virginia at the Norfolk Waterside Marriott from June 10 through 16, 1996. The diverse program will focus on collaboration in the visual arts, digital imaging for conservation, and environmental issues. In the session, "Collaboration in the Visual Arts," speakers will address collaborative efforts among conservators, scientists, artists, designers, fabricators, and architects. The wide range of topics to be presented includes, "A Collaboration of the Largest Kind: Creating a New Museum in San Francisco," "Conservation of a Painted Baltimore Side Chair," "A Team Approach for the Restoration of a Ship's Figurehead by William Rush," and "Collaboration in the Conservation of Jasper Johns's Lead Reliefs." Speakers will address topics such as: the challenges involved in the creation of a new museum as designers collaborated with staff in its design; the selection of stable, long-lasting materials by artists; and the handling, storage, and treatment of objects by conservators and other museum professionals. "Digital Imaging for Conservation" will examine the current state of this aspect of the field. New technologies, equipment, recent innovations, and future applications will be discussed. The session seeks to establish some uniform criteria for the design of systems so that database information and images can be shared. In "Environmental Issues," participants will review the recent environmental guidelines. The conference will be preceded by a symposium, "Preservation of Collections: Assessment, Evaluation, and Mitigation Strategies," on June 10 and 11. A day of presentations is scheduled to bring conservators and other museum professionals up-to-date on information in this rapidly changing area and to develop a consensus among conservators about the advice conservators give other museum professionals. A half-day workshop follows that is designed to acquaint participants with examples of housings, storage, and developments in the interdisciplinary field of collections care. As in previous years, specialty groups will present programs on the conservation of architecture, books and papers, objects, paintings, photographic materials, textiles, and wooden artifacts. In addition, sessions will be conducted by the Research and Technical Studies and Conservators in Private Practice subgroups. A number of workshops will be held following the meeting: "British 19th-Century Artists Oil Painting Materials Techniques," "Developing Strategies for Mounting and Housing Works of Art," FTIR for Art Conservators," "Color Measurement for Conservators," "Respirator Safety," and "Grants and Grant Writing." AIC is the national membership organization of conservation professionals dedicated to preserving the art and historic artifacts of our cultural heritage for future generations. For registration materials and a complete list of speakers and paper titles, contact American Institute for Conservation of Historic and Artistic Works 1717 K Street, NW, Ste. 301 Washington, DC 20006 202-452-9545 Fax: 202-452-9328 jennaic [at] aol__com Sarah Z. Rosenberg *** Conservation DistList Instance 9:61 Distributed: Thursday, March 7, 1996 Message Id: cdl-9-61-009 ***Received on Thursday, 7 March, 1996