Subject: Institutional loans of paper artifacts
As at other institutions, we at the Carnegie Museum of Art receive requests for loan of materials from our collections. Having in the last several years greatly increased our collection of paper-based holdings, we are finding that we need to update our loan criteria for these materials. We'd like to use this forum to solicit opinions from those who are in charge of reviewing loan requests for works on paper, including but not limited to both fine art and architectural drawings. Aside from ascertaining whether or not an object is safe for travel and stipulating amount and length of exposure to light, what other guidelines do you have for loaning works on paper? Do you require that objects be matted and framed before being considered for loan, or do you occasionally permit the borrower to provide matting and/or framing? Do you require objects to be over-matted for travel or do you permit "floated" objects to travel? Do you specify sealed packages inside frames? Do you require a minimum lead- time to review a loan request, after which loan requests are automatically declined? Do you require all paper loans to have wooden crates or do you sometimes allow "soft-packing," and if so, under what circumstances? What other packing standards do you adhere to? What other concerns do you have regarding the loan of paper based materials? Because there seems to be in general a paucity of published materials re: the loan and shipment of works on paper and it is not (yet) an area covered by the Paper Conservation Catalog, I wonder if anyone would be interested in meeting informally at the upcoming AIC meeting in Norfolk to discuss these matters further. Thank you in advance for any comments or suggestions. Wendy Bennett Paper Conservator 4400 Forbes Ave. Carnegie Museum of Art Pittsburgh, PA 15213 *** Conservation DistList Instance 9:69 Distributed: Friday, April 5, 1996 Message Id: cdl-9-69-008 ***Received on Friday, 5 April, 1996