Subject: Internships at the Hamilton Kerr Institute
Internships are offered for up to two years in the conservation of paintings. The internship will include tuition in techniques employed at the Institute, working in group projects and working under supervision on individual projects. Interns are also encouraged to pursue research related to the projects they undertake. Internships are also offered to those pursuing a career in conservation science. Working with the Research Scientist, the intern will assist in the examination and analysis of works undergoing conservation treatment in the studios as well as assisting in, and developing research into, conservation materials current and past, and investigating the effects of conservation processes. >From time to time, internships will be advertised for specific research projects. Internships will be offered for one year in the first instance, renewable for a second year. Progress from the first to second year is by mutual agreement. Interns will be required to pay fees for the first year and find funding support. In the second year, no fees will be charged and interns will be supported by funds available to the Institute. Interns will be notified by the end of December of their first year if they are eligible for a second year. The Institute has limited funding available for internships. Internships are designed for those recently completing training at a recognised programme. However, one internship is reserved for those completing their post-graduate conservation course in the same year as commencing the internship. Students seeking internships before graduating from a conservation course are also eligible to apply. Internships at the Institute would provide valuable additional experience for those having trained elsewhere. The Institute at present accepts on average two primary students every other year, maintaining a high staff/student ratio for careful supervision. This, combined with the facilities of the well-equipped studios and science laboratory, and the Institute's responsibility for a major museum collection in the Fitzwilliam Museum, as well as other public and private collections, offers the successful candidate experience of many differing conservation problems and treatments. The range of environmental problems encountered, notably in private houses, has led to the Institute gaining particular experience in the treatment of panel paintings. In addition studio space at Whittlesford allows the conservation of very large works both on canvas and on wooden supports. Interns in painting conservation are encouraged to use all the facilities offered by the Institute and would be expected to take problems to the laboratory and assist the Research Scientist in their resolution. An intern working with the Research Scientist would be expected to spend time in the studio examining paintings with the conservator. Interns would be required to visit exhibitions and collections with members of staff, and attend lectures by specialists during the course of the year. Where time and circumstances permit, the intern would spend a short period of secondment to the Institute's London Studio (Ebury Street). Interns would also be invited to apply for exchanges with other European conservation training programmes for up to three months under the Erasmus/Socrates scheme. Selection: Applications should be received by 31 January of the year in which the intern wishes to start. The Institute's academic year commences in September. Interns can sometime start in January, but only by agreement. Candidates are advised to visit the Institute before that date. Some candidates who cannot visit the Institute might be interviewed by colleagues in other Institutions. Curriculum Vitae and the name and address of two referees should be sent to the Administrator. Tuition Fees: Approximately UKP2,700 per annum for interns resident in the United Kingdom and for European or overseas students. Programme for Internship at the Institute I. Practical Conservation 1. Initial assessment of intern's experience and ability through work as assistant on a large scale project. Preparation of reports. Introduction to analytical laboratory for further analysis of material from studio work. Teaching of techniques used at Institute, e.g. tempera retouching. Preparation of talk to students and staff on intern's training before arriving at Institute. Participating in preventative conservation and 'in-situ' treatment of works in country house collections. Monitoring conditions of paintings in the Fitzwilliam Museum. Preparation of seminar. 2. Work on projects for completion without direct assistance. Assistance in structural treatment, in particular cold lining, treatment of structural deformation and panel work. The type of work undertaken would be based on the intern's own experience, and would aim to fill gaps in her/his training. Monitoring of condition of group of paintings in the Fitzwilliam Museum. Preparation of seminar. Research and written report. II. Conservation Science Subjects covered: Techniques of analysis: Microscopy Methods of sampling and sample preparation for wood and paint. Microscopic examination of cross-sections. Instrumental techniques: Gas chromatography Infra-red spectrometry Electron-microscopy* X-ray microprobe* (* Available in the Science Faculty of the University). Recent projects have included the examination of technique and materials used by Frans Hals, the materials and technique of Gerrit Dou and the 'Fine Painters'. The results of all analytical work are filed. In some cases the work has formed part of a publication either in the Institute's own Bulletin or in the Burlington Magazine where the results are of both art historical and technical interest. The work is supervised by the Research Scientist. *** Conservation DistList Instance 13:40 Distributed: Friday, January 14, 2000 Message Id: cdl-13-40-026 ***Received on Friday, 14 January, 2000