Subject: Conference on toning
Toning Materials for Conservation Tate Gallery London June 5-6, 2000 The Institute of Paper Conservation is organising a meeting on Toning Materials for Conservation to be held at the Tate Gallery, Millbank, London on the 5th and 6th June, 2000. Delegate fees will be UKP160 for IPC members, and UKP180 for non-members. This fee includes delegate fee for both days including tea, coffee and lunch. Accommodation is not included. Please contact the Institute of Paper Conservation if you need further details by faxing +44 1886 833688 or by e-mailing information [at] ipc__org__uk Provisional Programme Monday 5th June 10-11:15 Registration-Notices-Introduction 11:15-11:45 Dyestuffs and their appropriateness for different materials Annemette Bruselius Scharf School of Conservation, Copenhagen 11:45-12:15 An overview of methods and materials used for colouring backing papers in the Organic Artifacts Section Barbara Wills British Museum, London 12.15-12:45 The practicalities and aesthetics of retouching Jane McAusland Suffolk 12:45-14 Questions and lunch 14-14:30 The technique of applying fibre-reactive dyes to Japanese paper for the repair of 3-D paper objects, and the use of 3-colour chart Ruth Norton Rijksmuseum voor Volkenkunde, Leiden 14:30-15 Perspectives on image re-integration: a look at the highly subjective topic of image re-integration and the cultural, ethical and practical parameters which determine its practice Jean Brown University of Northumbria, Newcastle 15-15:30 The use of Cartasol K direct dyes in paper conservation David Jacobs and Barbara Rogers British Library, London 15:30-16 Tea 16-16:30 Matching 19th-century paper for leaf-casting Lorraine Finch Shakespeare Birthplace Trust, Stratford-on-Avon Tuesday 6th June 10-10:30 Registration-Notices-Introduction 10:35-11-05 Colour co-ordinated: the physics of seeing Bob Child National Museums and Galleries of Wales, Cardiff 11:05-11:35 Mellow Yellow: Japanese brown and yellow dyes plus black and indigo, and how the Japanese apply them to paper and silk Sandra Grantham and Pauline Webber V&A Museum, London 11:35-12:05 Toning papers using washing extract Piers Townshend Tate Gallery, London 12:05-13:35 Questions and lunch 13:35-14:05 Toning reconstituted parchment Andrea Pataki Staatliche Akademie der bildenden Kunste, Stuttgart 14:05-14:35 The use of leather dyes for vegetable-tanned and alum-tawed skin David Dorning West Dean College, West Dean 14:35-15:05 The use of an airbrush in toning paper and parchment Lien Gyles Public Record Office, London 15:05-15:35 Tea 15:35-16:05 The use of acrylic for toning linen in book conservation Sarah Bunn Camberwell, London 16:05-16:35 The use of colouring media for the localised coloration of support fabrics in order to camouflage areas of loss in textile conservation Kim Theusing Textile Conservation Centre, Winchester 16:35-17 Questions and close of conference Tina Boyle Institute of Paper Conservation Leigh Lodge Leigh Worcester WR6 5LB Great Britain +44 1886 832323 Fax: +44 1886 833688 *** Conservation DistList Instance 13:50 Distributed: Wednesday, April 5, 2000 Message Id: cdl-13-50-005 ***Received on Tuesday, 4 April, 2000