Subject: Gamblin Conservation Colors
**** Moderator's comments: This item is condensed from a press release. it comes from a person who is not on the DistList and will not see any responses that are posted here. Please respond directly to sender and if of general interest post it here as well The first new art conservation retouching paint for oil paintings in 100 years is being introduced by Gamblin Artists Colors Co. Designed solely for use by conservators and restorers to restore valuable works of art, Gamblin Conservation Colors were created in conjunction with conservators and scientists at the National Gallery of Art and the J. Paul Getty Museum. The 35 colors of resin-based paint are formulated to be both archival, as well as removable with mild solvent. Developed for a wide array of painting styles and techniques, Gamblin Conservation Colors have already proven effective at the National Gallery and the Getty for inpainting, the process of retouching damaged areas of an artwork. The new Gamblin paints have been used for retouching on more than 100 works of art from Italian Old Masters to 20th century paintings. Gamblin Conservation Colors will be distributed world wide over the Internet through <URL:http://www.gamblincolors.com/conservation/>. Qualities of Gamblin Conservation Colors: Gamblin Conservation Colors are stable, reversible and suitable for use with a wide array of painting styles and techniques. Their innovative light-weight resin binder also makes Gamblin Conservation Colors safer to use. Fully Saturated Color. The high refractive index of the resin leads to colors as saturated as aged oil colors. Lightfast Colors. Only pigments of highest lightfastness are used (including modern substitutes for Alizarin Crimson, Indian Yellow, and Brown Madder). Excellent Working Properties. Gamblin has have applied our 20 years of artist paint formulating experience to these colors, hence facilitating the work of retouching. Safety. Because the resin is soluble in solvents of low polarity, users can greatly lower their exposure to strong solvents while retouching paintings. In the future, if it is necessary to remove the color, it will dissolve in mild solvents, to help protect the original work. Stable Resin. Samples were aged 3000 hours in a weatherometer (equal to approximately 62 years of museum light exposure). The paints retained their solubility in mild solvents, showing that the resin is stable upon aging. Gamblin Artists Colors Co. P.O. Box 625, Portland, OR 97207 503-235-1945 Fax: 503-235-1946 Additional materials, including paint samples, are available upon request. Margery Newman Publicity & Communications 145 Fourth Avenue #12D New York, NY 10003 212-475-5235 Fax: 212-475-0252 *** Conservation DistList Instance 13:55 Distributed: Friday, May 5, 2000 Message Id: cdl-13-55-006 ***Received on Thursday, 4 May, 2000