Subject: Moving a laboratory
Rosemary Fallon <fallonr [at] npg__si__edu> writes >The conservation lab of the National Portrait Gallery and the >Smithsonian American Art Museum will be moving across town because >our building is about to be renovated. Can anyone who has been >through such a move offer tips on the moving of solvents? Did you >contract a company with this kind of expertise? Are there movers who >specialize in moving laboratories? We had exactly the same situation in November 1999 (our late spring, early summer). We hired a licensed chemical disposal company which was bonded and insured to carry out such work. I took the opportunity of the move to get rid of a lot of chemicals and solvents- stuff we had no idea who bought or what for and the same company disposed of these for us, reducing the relocation to a very small amount. They used the same covered truck loaded with metal garbage cans filled with vermiculite for both transport to their premises for disposal as for relocating our items. They brought the garbage cans to our storage rooms (we separate chemicals into flammable solvents in one room and other chemicals in another room), checked each container and packed it in the vermiculite, and used carts to move everything from our labs to the loading dock and then onto the truck. I recall they made one trip only with flammables and then combined the others into a second trip. We were very happy with their service. I have been very stern and grumpy with my staff about buying chemicals and make certain we buy no more than needed for a particular project and dispose of it at the end of the project. Everything gets labelled with the date and person who ordered it. As part of our risk management strategy, we have really cut down on our holdings of all types of chemicals and the move was a great opportunity to do this. We had specialist computer movers deal with all the Gallery computers and, like you, had a couple of things disassembled by specialists, and we moved some things like balances, microscopes and cameras ourselves in cars, but we left virtually everything else to the contract movers. It was a lot of work, but it all went quite well. Tom Dixon Chief Conservator National Gallery of Victoria Melbourne Australia *** Conservation DistList Instance 14:43 Distributed: Tuesday, February 6, 2001 Message Id: cdl-14-43-003 ***Received on Tuesday, 6 February, 2001