Subject: Colorimeters and densitometers
Karen Potje <kpotje [at] cca__qc__ca> writes >I would like to know if many institutions have turned from >densitometry to colorimetry to monitor the effects of exhibition on >photographs. At the US Holocaust Memorial Museum, we are working with a spectrophotometer to take color measurements of objects before and after exhibition. The spectrometer can provide L* a* b* readings as a colorimeter does. I have found many sources of error that makes measuring color changes difficult. These sources of error include returning to the exact same location, having the probe the same distance from the surface each time, and eliminating all extraneous light from reaching the detector. One technique I have been using is to averaging readings taken on several different days because I have found differences between readings when the spectrometer has been turned off in between them. Comparing readings from two colorimeter would have multiple problems. The two colorimeters might not measure the same size area. The sensors may be located on a different places on the colorimeters, so marking the location to be measured would be difficult, The colorimeter might have different sources of illumination or different geometry to the surface. In between any two colorimeters, there would be some difference in the color readings. If a color standard was sent with the artifact, you could evaluate how similar the readings from your colorimeter and the other institution's colorimeter is. It would be even better to have standards that are several different colors. Definitely using two colorimeters would not detect as small a color change as using the same colorimeter would, because more error would be introduced. The main question would be if the two colorimeters could detect an acceptably small change in color. Allison McGuire Olson Paper Conservator US Holocaust Memorial Museum *** Conservation DistList Instance 15:6 Distributed: Tuesday, June 26, 2001 Message Id: cdl-15-6-003 ***Received on Tuesday, 26 June, 2001