Subject: Milk as colorant
**** Moderator's comments: This query comes from a person who is not on the DistList and will not see any responses that are posted here. Please respond directly to sender and if of general interest post it here as well I am an artist painting on oriental paper with cow's milk, which I then heat over a candle until the milk turns brown to create the visible image. The results are visually pleasing and this process is integral to the content of my work. However, I am concerned about the preservation of both the visible image *and* of the physical object (in other words, I don't want the paper to rot later on). I have tried various experiments. In order to preserve the paper from disintegration: I have soaked the paper in melted beeswax and mounted it on rigid sheets of acrylic (like plexiglas) which creates a lovely semi-transparent image. *But*, the milk image fades within a few months in *any* exposure to sunlight. I have even tried coating the cooled beeswax with a polymer varnish with UVLS (made by "Golden" Acrylics), but this did not seem to slow the fading very much. ("Golden" also makes a MSA (mineral spirit soluble acrylic) varnish with UVLS which I haven't tried). I have also tried soaking the milk drawing in a solution of acrylic polymers (matte medium and the like) which I then adhered to a frosted sheet of acrylic. So far, the milk image seems to be holding up better. Also, I'm thinking that the polymer varnish with UVLS will adhere better to the acrylic already in the paper, creating a better bond and seal against sunlight. However, in my past experiments just brushing (not soaking) acrylic over the milk, it has faded and, sort of, crystallized the milk image, so I'm a little worried about what will happen. I've also come up with some ideas of how to preserve the milk image from fading over time: These include mixing pigment with the milk as I'm painting it on. This could be in the form of pigment dispersions in water, dried pigment *or* watercolor paints or dyes diluted in milk. Once dried, I could still heat the whole image over a candle to caramelize the milk (?) Lastly, the milk images which have survived the best in terms of not fading were ones I simply left alone (caramelized milk on paper--nothing else). However, I've kept them in a flat file away from light AND I'm not sure how prone these might be to mold or disintegration in the long run. I would *greatly* appreciate any help you could offer in solving these two problems of 1) how to keep the milk image from fading over time, and 2) how to preserve the paper from rot, mold or disintegration over time. I would so love to continue working in this unusual medium. Thanks you so much for taking the time to read this, Kate Savage 441 Sherman Canal Venice, CA 90291 Studio: 310-305-0278 Work: 310-451-5657 *** Conservation DistList Instance 15:15 Distributed: Wednesday, August 8, 2001 Message Id: cdl-15-15-035 ***Received on Monday, 6 August, 2001