Subject: Wood filling materials
Antonia Iliopoulou <iliotonia [at] hotmail__com> writes >I am a Conservation student and I am doing my Major Project on a >Greek Icon. The Icon has insect damage on the wooden support which >has caused some loss of paint and loss of wooden material(holes, >tunnels). The paint layer is affected locally and some flaking and >cracking is obvious. I would like to know which material is best to >use as a filler for the wood. Having had to deal with this type of problem many times on oak, pine, and poplar, I would comment as follows. The first thing to consider, before you even think of using a filler, is how to consolidate the weak structure. This can best be done using a fluid, introduced through the existing cracks and flight holes, from both surfaces. To begin by blocking this access with a filler would only make life difficult. The best consolidant to use would probably be Paraloid B72, in a vehicle such as xylene, or toluene, at a concentration of about 25% w/v. The choice of solvent needs to be made taking into account factors such as, the susceptibility of the paint film, when it is applied from the front, so do some tests first if unsure. The rate of evaporation, because if it dries too fast it can actually trap solvent within the structure for longer, and personal preferences relating to health and safety for working with aromatic solvents. Sometimes because of these considerations I opt to use Paraloid B67 which is soluble in White spirit again at about 25%. The concentration of either depends on achieving a balance between the viscosity required for high penetration, which may be influenced by the amount of damage and the type of timber, and the need to introduce an adequate amount of resin solids to be effective, in the lowest volume of solvent. Hardening of the structure will not be complete until all the free solvent has dispersed, which may take up to 3 weeks. If adequate impregnation of the honeycomb structure can be achieved to a point of saturation, such that the frass left in the galleries is bound together, that alone will make a stronger support for the ground and paint film, and will also provide a better foundation for filling. A wood filler was developed in our London studio for use with PVA wood working adhesive as a gap filler for rejoins, but we have also used it with Paraloid, after consolidation, with quite good results. It is a mixture of Phenolic resin micro-balloons and coconut shell flour mixed 1:1 by weight, and made into a paste with the chosen consolidant. It does not produce the type of hard bullets which are often found when fillers such as chalk and animal glue are used, but is far more compatible with timber, and retains a degree of flexibility. When made up with the same consolidant, it provides a weak adhesion with the prepared surface, and is not unlike the frass which it is often required to bond with, except the particles are far smaller. It can be tamped into the holes using dental tools, or we have made some of our own tools using blunt needles bent to a suitable shape, so that it can be fed some way into the voids below the paint film. The handling characteristics are quite good when it is made up to the consistency of soft fudge, which requires that some of the solvent is allowed to evaporate off, and it can then be kept wrapped in Melinex. What we normally do is to compact it to a level just below the surface and when dry use a putty over it in the conventional manner. It should be noted that this filler does not have any significant bonding or adhesion power, when used with a paraloid resin, and will add very little strength to the fractures or structure as a whole, that question would need addressing as a separate issue. What it does, is to provide a firm stable foundation for the fills which is reasonably reversible. Ray Marchant Simon Bobak conservation studio, and Hamilton Kerr Institute London +44 20 7730 7874 *** Conservation DistList Instance 15:60 Distributed: Tuesday, March 5, 2002 Message Id: cdl-15-60-006 ***Received on Saturday, 2 March, 2002