Subject: Coromandel chest
I have a (private) client who owns a 19th century Chinese chest with doors that are decorated in the manner of Coromandel screens. In areas where the wood has moved (the central joint of the door panel, the junction of the panel and door frame), the paint and substrate has become partially detached. In my reading, I learned that the substrate is actually a thin layer of clay that is baked onto the wood before adding decoration or painting. If this is true, it must be *extremely* low-fired clay, more like sun-baked. I'm trying to decide on a consolidant to readhere the clay/paint to the wood. I understand that none of them will be truly reversible, but would like some input on which will work the best, and offer the least possibility of damage. There is nothing in the DistList Archives concerning Coromandel. If anyone has worked extensively with Coromandel artifacts, I would appreciate hearing your choice, and rationale for it. Is it reasonable to assume that the varnish is urushi? Clint Fountain The Museum of Florida History Tallahassee FL *** Conservation DistList Instance 15:78 Distributed: Monday, May 20, 2002 Message Id: cdl-15-78-008 ***Received on Friday, 17 May, 2002