Subject: Storage of unstable glass
Margrit Reuss <marreuss [at] yahoo__com> writes >Working as a group of freelance conservators we have been surveying >a glass bead collection from Papua New Guinea, belonging to a museum >in the Netherlands. Most of the glass beads on necklaces within the >collection show crizzling and cracks typical of unstable, degrading >glass. We intend to improve the lifetime of these objects by storing >them at around 42% RH. To achieve these conditions we want to use an >acclimatized storage cupboard which makes use of pre-conditioned >Artsorb packages. 42% relative humidity is a good set point for your storage of crizzled glass. You can probably add a plus/minus 2% to that, without any worry, but you should be careful not to drop much below 40%, i.e., not "overcondition" your Artsorb. We have two complete cases in our Study Gallery (within the main Galleries) dedicated to crizzled glasses. Both because of the location, and our careful monitoring and maintenance of the overall Museum conditions we do not have silica gel in any of cases. The humidity tracks almost a straight line in the crizzled cases, with no more than a 5% drift between summer and winter (40-45%). All the cases have silica gel compartments at the bottom, but instead of silica gel, I have installed a fan in these compartments, which gives air circulation throughout the case. In my opinion, this is also an important measure in preventing crizzling. Even if you use Artsorb, I would recommend a fan for air circulation. Because your Galleries are around 50% humidity, I would not be too concerned about opening the cases for short periods. You should recommend that the cases not be opened, should the humidity in the Galleries be above 55%. Stephen Koob Conservator The Corning Museum of Glass One Corning Glass Center Corning, NY 14830 607-974-8228 Fax: 607-974-8470 *** Conservation DistList Instance 15:80 Distributed: Friday, May 24, 2002 Message Id: cdl-15-80-003 ***Received on Friday, 24 May, 2002