Subject: Drawing film
**** Moderator's comments: This query comes from a person who is not on the DistList and will not see any responses that are posted here. Please respond directly to sender and if of general interest post it here as well We are curators in the Collections Section of the National Monuments Record of Scotland, Royal Commission on the Ancient and Historical Monuments of Scotland. Part of our duties is the curation of archaeological excavation and survey archive. We are writing to you to ask for some pointers on where to look for literature on "drawing film". Archaeologists and others use this medium due to its durability and resistance to precipitation and dirt. We have very little information on the history of such "films", whether all are plastic, what their "lifetime" may be and so on. We are currently carrying out an audit of our collections and it has been observed that the drawing films themselves vary in colour and strength and that this may have something to do with age (although unsure of this). A small number are also becoming brittle and yellowing. Pressure sensitive tape, "Letraset" (transfer information), ink (with perhaps "fixers" in the form of spray glue) also figure. This medium is still used and we regularly receive drawings on "film" as part of excavation and architectural archives. Of our catalogued drawing collection, 34% is on a "drawing film" of some form or another. We would like to look at this particular part of our collections in order to: 1. Assess the problem 2. Identify the different types of material (when we say "tri-acetate", for example, what do we mean?) both historically as well as what is currently on the market 3. How the base medium and applied materials (such as ink, mechanical copying, glue, applied transfer-type material and so on) may or do behave over time 4. How one conserves the items 5. Putting in place a method for achieving in-house "good practice" for material already held in our collections 6. Providing guidelines for those still using such drawing mediums with regard to the conservation standards for materials used at point of creation Do you know of anyone doing similar work elsewhere? Paper conservators we have spoken to say that this is not an area necessarily known to them. Miriam McDonald and Dr Iain Fraser Collections Section National Monuments Record of Scotland Royal Commission on the Ancient and Historical Monuments of Scotland John Sinclair House 16 Bernard Terrace Edinburgh EH8 9NX *** Conservation DistList Instance 16:31 Distributed: Monday, November 4, 2002 Message Id: cdl-16-31-010 ***Received on Wednesday, 30 October, 2002