Subject: Symposium on wood and furniture conservation
The Meeting of East and West in the Furniture Trade Sixth International Symposium on Wood and Furniture Conservation Stichting Ebenist/Rijksmuseum Amsterdam/Instituut Collectie Nederland December13-14, 2002 Friday 13 December 2002 9 am Registration and coffee at the Rijksmuseum, Main Entrance B 1:15-2:45 pm Lunch and opportunity to visit the VOC-exhibition 'The Dutch encounter with Asia, 1600-1950' (for a preview visit: <URL:http://www.rijksmuseum.nl>). 5:15 pm Reception in the Rijksmuseum. 89:30 pm Party at Bruys, Furniture Conservation. Saturday 14 2002 9:15 am Reception with coffee, followed by lectures. 1:00 pm Departure to the Hague for the exhibition 'Domestic interiors at the Cape and in Batavia: 1602-1795'. Lunch will be provided in the coaches. Ca 6:00 pm Return at the Rijksmuseum. Information and registration: Instituut Collectie Nederland +31 20 305 46 59 and +31 20 305 46 62 (Tuesday Friday: 9am-12pm) Fax: +31 20 305 46 20 opleidingen [at] icn__nl Registration fee is EUR145. Students pay a reduced fee of EUR130. Half-price tickets to attend only one conference day are not available. Lunches, the excursion to The Hague and postprints of the symposium are included in the registration fee. Fees for registration have to be paid in cash on Friday 13 December at the registration desk in the Rijksmuseum. Creditcard payments cannot be accepted. The conference takes place at: Rijksmuseum Amsterdam Main Entrance B, Stadhouderskade 42, Amsterdam. The museum is within easy reach by public transport, tram 2-5-6-7 and 10. Parking facilities are scarce and expensive. Amsterdam Hotel Information: +31 20 520 70 00 +31 20 420 00 79 or +31 900 400 40 40. Details of the Lectures Friday, December 13, 2002 Word of welcome Mr. Kees Zandvliet, head of the department of Dutch history and compiler of the exhibition 'The Dutch encounter with Asia, 1600-1950' in the Rijksmuseum. The foundation, 400 years ago, of the Dutch East-India Company 'VOC' provided the theme of the symposium. A short historical introduction will be given as an invitation to visit the leading exhibition of the commemoration of the VOC. Furniture trade in the colonial East Mr. Amin Jaffer, curator, Victoria and Albert Museum, London A view on the outspoken differences in the production of furniture in the various outposts of the colonial East. The influence of local tradition and the homeland demands on design, craftsmanship and the use of materials: how can we recognise the origin of colonial furniture? Conservation of an ivory-clad drop front secretary from Vizagapatam, India Ms. Kathy Z. Gillis, objects conservator and Mr. David Park Curry, curator of American arts, Virginia Museum of Fine Arts, Richmond The recently acquired diminutive, ivory-clad drop-front secretary exemplifies the international luxury trade between India and America in the 18th century. The technical research prior to its conservation provided an enviable opportunity to study hardly-touched surfaces, construction methods and exotic materials of centuries old. Mahogany in Jamaica was like gold in the Reign of Solomon Mr. John Cross, senior lecturer, London Guildhall University, London Answers will be given to questions about the trade in furniture and wood between Europe and Colonial Jamaica, 1700-1834. Had mahogany the same social cachet in Jamaica as in Britain? Was the fashion for the use of mahogany set in Europe or was it inspired by its interest in Jamaica? Tortoiseshell imitations Ms. Elisabeth Grall, private furniture conservator, Paris Due to its exclusiveness tortoiseshell has been imitated with various materials. An imitation of this exotic material by the use of horn is presented. Its behaviour when exposed to variations in temperature, humidity and light makes it a reliable material to be used by conservators. The problem of substitutes for tortoiseshell Mr. Donald Williams, furniture conservator, Smithsonian Center for Materials Research and Conservation, Washington Various materials have been used to imitate tortoiseshell. Esthetic characters and physical properties are compared, as well as their suitability in conservation. Recent developments under review by the U.S. Patent Office provide a source of faux tortoiseshell with working properties remarkably similar to the genuine material. 'Sawn, divided, cut, cleft and slit asunder' - 18th-century export lacquer screens and their conservation Ms. Irmela Breidenstein, private furniture conservator, Munchengladbach Fragments of lacquer screens are often found on fine European cabinetwork. The conservation of a Chinese lacquer cabinet in Schloss Falkenlust shows complex interferences and raises the question: does it make sense to conserve transformed Asiatic lacquerwork with original Asiatic methods? Differences between conservation techniques for Japanese lacquerwork in Europe and Japan Ms. Mariko Nishide, private conservator of lacquerwork, Amstelveen Conservators in Europe are rather ignorant when it comes to conservation techniques and the use of proper materials for Japanese lacquerwork. On the basis of some striking European conservation projects, Ms. Nishide will make a plea to employ authentic techniques using the original Urushi lacquer: the only sensible way to return the original beauty to the object. Removal of varnish from japanned and lacquered surfaces: principles and practice Ms. Shayne Rivers, senior furniture conservator, Victoria and Albert Museum, London Removing unwanted Western varnish, both from japanning and lacquer, is difficult because the materials which will be most effective are also the most likely to damage the underlying surface. With reference to specific cases, Ms. Rivers discusses the principles of varnish removal. Panel discussion on the ethical aspects of lacquer conservation, with Ms. Rivers, Ms. Breidenstein and Ms. Nishide. Saturday, December 14, 2002 Jakarta project for preventive conservation Mr. Martijn de Ruijter, conservator of wooden artifacts, Rijksmuseum voor Volkenkunde, Leiden The project is cooperation of the Jakarta Institute for Museums and Conservation and the Royal Tropical Institute in Amsterdam. It comprehended a survey of seven museum collections in Jakarta: their housing, registration and condition. A beginning was made with a joint Dutch-Indonesian conservation treatment of these collections. English cane chairs, a mix of Asian and European traditions Mr. David Dewing, director, The Geffrye Museum, London This paper looks at the influence of the Orient on English furniture in the late 17th century, focusing on one manifestation, the cane chair. There can have been only little profit in shipping this material half way around the world, so how did cane chairs become so fashionable in England and Holland between the 1680s and the 1720s? A typical Dutch piece of furniture, isn't it? Mr. Pol Bruys, private furniture conservator, Amsterdam A cabinet all made of solid tropical wood except for the construction parts made of oak. Dutch or Colonial? A call for gathering information about this type of furniture. Introduction to the exhibition 'Domestic interiors at the Cape and in Batavia: 1602-1795' at the Haags Gemeentemuseum Mr. Deon Viljoen, art and antique dealer, Cape Town The exhibition presents forty top pieces of both Cape and Batavia furniture. Mr. Viljoen is responsible for bringing together the unique collection of South African furniture. He will make stimulating opening remarks on the exhibition with special attention for style, use of material and construction. *** Conservation DistList Instance 16:32 Distributed: Friday, November 8, 2002 Message Id: cdl-16-32-011 ***Received on Tuesday, 5 November, 2002