Subject: Laser repairs to antique precious metals
The following has just gone out with the International Jewellery and Precious Metal Network (JPM) email newsheet ... and I'd love to hear of any personal experiences using laser welding on antique precious metal pieces (or experiences trying to resist pressure to use it...) Laser welding is now commonplace in jewellery manufacturing and repair. The technique, which affects only microscopic areas and uses very localised heat, is increasingly being used to make almost imperceptible repairs on antique gold jewellery. Those involved with antique jewellery in any capacity should recognise the characteristic weld marks (for examples on a Victorian locket hinge see <URL:http://www.jpm-international.com/JPMGallery/gallery.htm> ). A use of laser welding in the restoration of a seventeenth century enamelled gold and silver monstrance has recently been published C. Innocenti, G. Pieri, M. Yanagishita, R. Pini, S. Siano and A. Zanini. Application of laser welding to the restoration of the ostensory of the martyr St. Ignatius from Palermo. Journal of Cultural Heritage, 4, no. Supplement 1 2003-362-366--first reported at a conference on Lasers in the Conservation of Artworks (LACONA) held in Paris in 2001. The authors believe that this is first application of laser welding in the conservation of a work of art. The 'non-reversibility' of the joining process will attract some criticism from within the conservation community. By the way if any of you would like a copy of the whole newssheet by email (topics range from recently excavated ancient jewellery to De Beers talk's with the US Justice Department) just send an email to info [at] jpm-international__com and put 'sample' in the subject line. The newsheet goes out two or three times a month and it's free to sign up. Jack Ogden International Jewellery and Precious Metal Network (JPM) *** Conservation DistList Instance 17:57 Distributed: Tuesday, March 2, 2004 Message Id: cdl-17-57-006 ***Received on Tuesday, 24 February, 2004