Subject: Polyvinyl chloride
Mariko Kageyama <aspeciosus [at] yahoo__com> writes >I am going to use a clay (Sculpey) for supporting osteological >specimens during digital photography. The manufacturer said that the >generic ingredients of clays were PVC, plasticizers, pigments and >stabilizers. Is is not a good idea to apply PVC material to bones? Polymeric clays such as Sculpey are prepared by physically mixing PVC polymer, a stiff, unstable polymer with between 20-40% plasticizers by weight. The most frequently used general purpose plasticizers since the 1950s have been phthalates, particularly di-(2-ethylhexyl) phthalate (DEHP). Because DEHP is only attached to the PVC polymer chains by weak physical forces, such as Van der Waals, and have no chemical bonds to hold them in place, they can separate as a result of changes of temperature, pressing or folding of the PVC clay, or in high relative humidity. When the plasticizer relocates to surfaces, it either evaporates with time, is absorbed by other materials in close contact including paper, polyethylene and bone, or remains at surfaces imparting a tacky feel. When the plasticizer leaves the PVC polymer chains, the material becomes stiff and itself deteriorates. PVC degrades by dehydrochlorination and shows a series of colour changes from white to yellow to orange, red, brown and black. During this process, hydrogen chloride is produced. The acidic hydrogen chloride provides a suitable environment for acid hydrolysis of the DEHP to occur. The major degradation product is phthalic acid crystals which are soluble in water. The effects of plasticized PVCs degradation processes deem it a non-archive quality material. Although contact between your osteological specimens and Sculpey would be brief, I consider wax or polyethylene to be more suitable alternatives. Yvonne Shashoua Senior Researcher in Modern Materials National Museum of Denmark *** Conservation DistList Instance 18:2 Distributed: Friday, June 18, 2004 Message Id: cdl-18-2-002 ***Received on Thursday, 10 June, 2004