Subject: Regalrez
Ewa Bjordell <ewa [at] konservering__se> writes >We have heard of the hydrocarbon resin Regalrez which theoretically >appears to suit our purposes. Regalrez, however, has so far very >limited use in Sweden. Therefore we would be very grateful for any >advice from colleagues with experience from working with Regalrez. I am currently carrying out a detailed research and experimental programme on varnishes for my thesis, which deals with a comparative analysis of their properties, and one of the varnishes I am studying is actually Regalrez 1094. I am aging canvas-painting replicas,one of which is coated in this varnish, and will be testing the solubility, colour changes etc. by the end of this month. Nevertheless, several tests have already been carried out prior to my study and I can therefore unquestionably state that literature quotes it as having rather good aging properties and physical characteristics. I would, however, not really recommend it if a non-glossy surface is required, unless used in relatively dilute solutions (the AIC Painting Conservation Catalogue Volume 1 on Varnishes and Surface Coatings, complied by Wendy Samet, published in 1998, also affirms, on p. 112, that it is glossier than the ketones and natural resins). I myself used a 20% solution to coat my replica(s) (the usual concentrations are approx between 15 and 25%) and noted its particular gloss. Before using it, it might be better to perform a series of tests with various concentrations and the different application methods to see if the desired optical characteristics can be achieved. A matte varnish sometimes used is Paraloid B-72, but even this has some disadvantages. I hope I have been of some assistance, Nicola Attard Montalto Easel Paintings and Polychrome Sculpture Conservation Student The Malta Centre fore Restoration Kalkara Malta *** Conservation DistList Instance 18:39 Distributed: Friday, February 18, 2005 Message Id: cdl-18-39-003 ***Received on Saturday, 12 February, 2005