Subject: Consolidating mica
Laurent Sozzani <l.sozzani [at] rijksmuseum__nl> writes >I am looking for information on the consolidation of thin sheets of >splitting mica. We have a set of costume overlays painted on mica >that are laid over a small miniature portrait painted on copper. >Handling has damaged some of the mica overlays--should they be >consolidated? Is it desirable to consolidate the mica as opposed to >letting well enough alone and relying on good storage and minimal >handling for their preservation. In limited experience curating geological specimens, I have found that most micas enjoy considerable toughness within sheets and respond well to plastics and consolidants between sheets. Presuming each layer of your overlays is composed of multiply splitting sheets, you may well be able to glue the leaves together to prevent any further degradation. You are likely working with muscovite, which is generally prone to scratching on cleavage surfaces but mostly impervious to acid/chemical degradation [may etch slightly in stronger acids]. I have had success with Butvar and even CA glue under vacuum, but cannot attest to long term effects or stability. Another common solution is optically neutral microscope mount epoxy, such as Petropoxy, which will be effectively irreversible and will stiffen flexible sheets. Alternatively, if you are photographing or storing, you might impregnate the mica sheets with optical oils, optionally sealing or clamping the edge, to achieve transparency; you can match the index of refraction in this way, restoring the sheets to their original optical properties in this way. Viscous oil tends to promote adhesion between cleavage surfaces and will therefore stabilize your sheets [or 'books'] without stiffening. Jeff Bartlett Coordinator InsideWood Database North Carolina State University *** Conservation DistList Instance 18:39 Distributed: Friday, February 18, 2005 Message Id: cdl-18-39-005 ***Received on Friday, 11 February, 2005