Subject: A death
Dr. Vojtech Jirat-Wasiutynski died suddenly in Kingston, Ontario, on July 8, aged 58. Born in Penley, Wales, the son of a Polish army officer and a Czech industrialist's daughter, both displaced in the aftermath of World War II, he was educated in London, England, and Montreal, Canada. He graduated in 1975 from the Department of Art and Archaeology, Princeton University, where his doctoral dissertation was entitled Paul Gauguin in the Context of Symbolism (it was subsequently published in the series Outstanding Dissertations in the Fine Arts, New York, Garland: 1978). At the time of his death he was Professor of Art History at Queen's University, Kingston, Ontario. Major grants received included the Ailsa Bruce Mellon Senior Fellow at the Center for Advanced Study in the Visual Arts (1994) and three Research Fellowships from the Social Sciences and Humanities Research Council of Canada (SSHRC) for 1984-87; 1986-87; and 2002-2005. He began teaching art history at Queens University, Canada, in 1972, where Dr. Leslie Carlyle, head of conservation at the Tate, was a student in his first class. She described him as a pioneer in collaboration between art historians and conservators. He was inspired by his wife Thea, trained as a paper conservator and art historian, who co-authored articles with VJW on Gauguin and artists' use of charcoal in drawings. In much of his earlier scholarship, he sought to understand how the artist's technical and material choices might contribute to our understanding of the cultural meaning of the works they created. Two important books, co-authored with paintings conservator Travers Newton, Vincent van Gogh's "Self Portrait Dedicated to Paul Gauguin". An Historical and Technical Study with contributions by Richard Newman and Eugene Farrell, (Harvard University Art Museums, 1984) and Technique and Meaning in the Paintings of Paul Gauguin, (Cambridge University Press, 2000) developed this line of inquiry with rich results. In the latter book the authors argued that Gauguin manipulated materials as a metaphor for artistic vision. He also wrote and lectured extensively in both English and French on related and other topics. More recently, VJW sought to understand art historical problems in terms of cultural geography. He wrote the introductory essay, "Modern Art and the New Mediterranean Space" to a volume of essays that he edited for University of Toronto Press titled Modern Art and the Idea of the Mediterranean; it is currently in press. Earlier related publications include, notably, "Vincent van Gogh's Paintings of Cypresses and Olive Trees from San Remy", The Art Bulletin 75 (193), 647-70; "Une modernite difficile: Van Gogh et Gauguin devant l'Arlesienne, in the Exhibition Catalogue Arlesienne: Le Myth? Museon Arlaten, Arles, 1999 and "Van Gogh and the South: Antimodernism and Exoticism in the Arlesiean Paintings", in the anthology Antimodernism and Artistic Experience: Policing the Boundaries of Modernity (University of Toronto Press, 2001). At the time of his death he was working on a book titled Modernity and Region: Representing Provence in Nineteenth-Century Visual Culture. This examines how Provence came to be at the cross-roads of the extremes of modernity and tradition, a conservative bastion and an emblem of the avant-garde. Vojtech was an utterly dedicated teacher, wise and probing, bringing out the best in his students. He was a wonderful person--thoughtful, highly intelligent, generous intellectually and humanly, gracious and warm. In addition to his wife, he is survived by his son, Andrew Jirat-Wasiutynski of London, England. Henry Travers Newton Santa Barbara, CA Kate Olivier Harvard University Art Museums 32 Quincy Street Cambridge, MA 02138 617-496-1901 Fax: 495-9936 *** Conservation DistList Instance 20:8 Distributed: Wednesday, August 2, 2006 Message Id: cdl-20-8-001 ***Received on Wednesday, 2 August, 2006