Subject: Conference on authenticity and conservation
Preliminary programme and Early bird fee Art, Conservation and Authenticities: Material, Concept, Context Glasgow University 12-14 September 2007 The Early Bird fee for the conference runs until 1 of August 2007 See: <URL:http://www.arthist.arts.gla.ac.uk/ Temp%20files/Conservation%20Conferences/ArtConsAuthentic.htm> **** Moderator's comments: The above URL has been wrapped for email. There should be no newline. Preliminary Programme 12 September 2007 9:9:30am Registration Session 1 9:30 Welcome Keynote 1 10:10:45am Christian Scheidemann Contemporary Conservation, New York The Role of the Conservator today--between fabrication and disintegration 10:45-11am Questions 11:11:30am Coffee Session2 11:30-11:55am Richard Gagnier National Gallery of Art, Canada Establishing the integrity of Installation Art as its authentic character 11:55am-12:20pm Jacqueline Ridge and Alice Strang SNGMA, Edinburgh Off the Wall: Installation, Concept and Care 12:20-12:45pm Cornelia Weyer Dusseldorf Restoration/Conservation Centre Authenticity--a matter of time? Restoring the Installation 'Glauben Sie nicht, dass ich eine Amazone bin' 1975, by Ulrike Rosenbach 12:45-13 Questions 13:2:15 Lunch Session 3 2:15-2:40pm Tiziana Caianiello Independent art historian The Creamcheese: From Disco to Museum Installation 2:40-3:05pm Marina Pugliese and Barbara Ferriani Municipal Collections, Milan Brodsky, Merz, Spingel: the artist's intention displayed? 3:05-3:30pm tbc 3:30-3:45 Questions 3:45-4:15 Tea Session 4 4:15-4:40pm Ulrich Lang Conservator, Museum fur Moderne Kunst Frankfurt Fugitive Art 4:40-5:05pm Ben Harman and Polly Smith GoMA, Glasgow Christine Borland and Toby Paterson: The artist's role in installation and future display 5:05-5:45pm Questions/Discussion 6:30-8pm Civic Reception, Gallery of Modern Art, Glasgow 13 September 2007 Session 1 9:30-9:55am Vivian Van Saaze University of Maastricht/ICN, Amsterdam Constructing authenticity? An ethnographic study into the preservation of One Candle (1988) by Nam June Paik 9:55-10:20am John Roeder School of Music, University of British Columbia, Vancouver Archivists meet Artists: InterPARES Insights into Authenticity 10:20-10:45am Dominic Paterson History of Art Department, University of Glasgow Authenticity via a consideration of the historical trajectory of Marcel Duchamp's ready-made strategy 10:45-11 Questions 11:11:30 Coffee Session 2 11:30-11:55am Ariane Noel de Tilly Amsterdam School for Cultural Analysis Re-exhibiting the moving image: 'Douglas Gordon's Play Dead: Real Tim'e and John Massey's 'As the Hammer Strikes (A partial Illustration)' 11:55am-12:20pm Megan Winget School of Information University of Texas, Austin The Concept of Authenticity and the preservation of New Media Art 12:20-12:35pm Questions 12:35-2:10 Poster Session/Lunch Session 3 Keynote 2 2:10-2:55pm Joyce Hill Stoner Winterthur museum/University of Delaware Art Conservation Program Borders of Authenticity 2:55-3:20pm Astrid Fendt Universitat Bielefeld Restoration or de-restoration? Two different concepts to recreate the authentic condition of ancient sculptures in the Antikensammlung, Berlin in the 19th century 3:20-3:35pm Questions 3:35-4pm Tea 4:4:25pm Normanam Tennant and Nick Pearce University of Amsterdam and Glasgow Aspects of Authenticity--An Unusual Chinese Neolithic Mortuary Urn in the Burrell Collection 4:25-4:50pm Ute Griesser Atelier fur Konservierung und Restaurierung Erftstadt-Gymnich Presenting, Handling and Working on Sacred Thangkas--Do we do it right? 4:50-5:15pm Will Murray/Peter Black Scottish Conservation Studio/Hunterian Museum and Art Gallery 'The child in the womb in its natural situation', a painted lead sculptures from the collection of William Hunter: A question of Authenticity 5:15-5:45pm Questions/Discussion 7pm Conference dinner 14 September 2007 Session 1 9:30-9:55am Mark McLean National Trust for Scotland History, Tradition and Authenticity: A Conceptual analysis of some approaches to 'authentic' heritage interpretation 9:55-10:20am Jean-Baptiste Martin Sorbonne University, Paris Wallpaper Reconstruction in Historic Houses: Balancing Aesthetics with Authenticity 10:20-10:45am Ylva Dahnsjo The National Trust Uppark House, Sussex: an Ersatz Experience? 10:45-11am Questions Session 2 11:30am-11:55am Ella Hendriks Van Gogh Museum, Amsterdam Van Gogh's Brushstrokes: Marks of Authenticity 11:55am-12:20pm Alan Derbyshire et al V&A, Museum London and RCA/V&A Conservation Programme A multi-faceted approach to the study of Tudor portrait miniatures 12:20-12:45pm Gerry Alabone Tate Britain Frames and authenticity 12:45-1pm Questions 1:2:15pm Lunch Session 3 2:15-2:40pm Charlotte Caspers and Kate Seymour SRAL, Maastricht How authentic can a historical reconstruction be? A reconstruction of Maarten van Heemskerck's "De Calverieberg" 1543 is discussed in terms of accuracy and visual interpretation 2:40-3:05pm Eowyn Kerr Kress Fellow, V&A Museum, London Authenticity as related to the historical research, method of construction, conservation treatment and eventual display of a 15th Century Florentine Cassone panel in the V&A 3:05-3:30pm Victoria Button V&A Museum, London Issues surrounding the attribution of a Holbein Drawing 3:30-3:45pm Questions 3:34-4:15pm Tea Session 4 4:15-4:40pm Gwen Tauber, Sabrina Meloni and Alice Tate-Harte Rijksmuseum, Amsterdam / Maurithuis, The Hague The authenticity of heraldic arms on Olycan family portraits by Frans Hals: the importance of context in weighing the object vs. the image 4:40-5:05pm Isabelle Brajer The National Museum of Denmark Authenticity and Restoration of Wall Paintings--Issues of Truth and Beauty 5:05-5:45pm Discussion and closing Erma Hermens and Tina Fiske Glasgow University *** Conservation DistList Instance 21:17 Distributed: Saturday, July 21, 2007 Message Id: cdl-21-17-016 ***Received on Thursday, 19 July, 2007