Subject: Albumen print
I would like to have some professional opinions about a conservation diagnosis and treatment proposal of a XIX century albumen print mounted on printed paper. Besides the print's bad condition (the image has serious deterioration like contrast loss and image fading), the main problem is the paper support to which the print is glued. The very thin paper support is very yellow and brittle (signs of strong acidification), has serious tears, and curls due to the tensions from the glued albumen. The printed paper support is signed by the author and has a lot of printed medals and awards attributed to the author. It's by Carlos Relvas, a Portuguese pioneer in photograph, and it belongs from a private collection. You may see a similar print at <URL:http://artephotographica.blogspot.com/2006/11/venda-2.html> I am considering separating the albumen from the original paper support. I could try to deacidify the paper support by wet treatment (after testing if the inks are soluble), consolidated the tears and maybe "facing" with Japanese paper by back, and glue the print again with methylcellulose glue (or starch). At the end I will have to provide an acid free cardboard passe-partout type of frame for protection, correct handling and safe display. Do you think is "too much" or too risky try to detach the albumin from the paper support? Any alternatives? I would be grateful to hear the thoughts of any conservator on the list. If anyone wants to see some images just let me know and I email them. **** Moderator's comments: See <URL:http://albumen.stanford.edu/> *** Conservation DistList Instance 21:18 Distributed: Wednesday, August 1, 2007 Message Id: cdl-21-18-013 ***Received on Monday, 23 July, 2007