It is a good idea, she advises, to write ahead and find out exactly when a group is meeting. They have time blocked out, but may not use all of it. She found this meeting only by chance.
"The show itself was rather curious. I have never seen one done quite this way. It was not very large; along one side of the room huge panels of excellent photographs illustrated every aspect of the structure and binding methods, and the explanations were photographed, enlarged and mounted with them. The original books in the exhibit cases were, though wonderful, relatively few; they were heavily supported by modern models in every possible state of binding; even the materials and their method of manufacture were carefully shown. There was an emphasis on the interrelations of the work of the artisans involved in book making.
"The captions with the books in the cases were the only disappointing part: they were almost entirely lacking bibliographically. You really did not know what book you were looking at some of the tine, and there was no effort to give provenance, etc. Even though this played no part in the purpose of the exhibit, I found that it bothered me; I don't like to see the book as an artifact or the book as a bibliographic entry ever entirely separated. Nevertheless, I think it is probably the most thorough exhibit on binding methods I have ever seen."