REFERENCES

Berrie, B. H., and S. L.Fisher. 1993. A technical investigation of the materials and methods of Dosso Dossi. ICOM Committee for Conservation Preprints, 10th Triennial Meeting, Washington. Paris: ICOM. 1:70–74.

Biringuccio, V. [1540] 1966. The pirotechnica. Translated by C. S.Smith and M. T.Gnudi. Cambridge: Cambridge University Press.

Cellini, B. [1568] 1967. The treatises of Benvenuto Cellini on goldsmithing and sculpture. Translated by C. R.Ashbee. New York: Dover.

Deer, W. A., R. A.Howie, and J.Zussman.1966. An introduction to the rock-forming minerals. London: Longman.

Lazzarini, L.1987. The use of color by Venetian painters 1480–1580: Materials and techniques. In Color and technique in Renaissance painting: Italy and the North, ed.M. B.Hall. New York: J. J. Augustin. 115–36.

Theophilus. [12th c.] 1979. On divers arts. Translated by J. G.Hawthorne and C. S.Smith. New York: Dover.

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AUTHOR INFORMATION

BARBARA H. BERRIE received a B.Sc.(Hons) from St. Andrews University, Scotland, in 1977 and a Ph.D. in inorganic chemistry from Georgetown University in 1982. She held a National Research Council Research Associateship at the Naval Research Laboratory from 1982 to 1984. In 1984 she joined the Scientific Research Department of the National Gallery of Art, where she is senior conservation scientist. Address: National Gallery of Art, Washington, D.C. 20565.