REFERENCES

Barger, S. M. and W. B.White. 1991. The daguerreotype nineteenth-century technology and modern science. Washington, D.C.: Smithsonian Institution Press.

Bellamy, L. J.1968. Advances in infrared group frequencies. London: Methuen.

Buerger, J. E.1989. French daguerreotypes. Chicago: University of Chicago Press.

Daffner, L. A.1992. Swinney internship report. Strong Museum, Rochester, N.Y.

EastmanKodak. 1968. Ultraviolet and fluorescence photography. Eastman Kodak Publication M-27. Rochester: Eastman Kodak.

Gernsheim, H., and A.Gernsheim. 1968. L.J.M. Daguerre. New York: Dover Publications.

Napier, J.1864. A manual of electro-metallurgy: The application of the art to manufacturing processes. Philadelphia: Henry Carey Baird.

Newhall, B.1961. The daguerreotype in America. New York: Dover Publications.

Rinhart, F., and M.Rinhart1981. The American daguerreotype. Athens, Ga.: University of Georgia Press.

Strahan, D.1980. Treatment of a silver dragon for the removal of silver cyanide and chalconatronite. Journal of the American Institute for Conservation25:73–80.

Swan, A., C. E.Fiori, and K.F.J.Heinrich. 1979. Daguerreotypes: A study of the plates and the process. Scanning Electron Microscopy1:411–23.

Taft, R.1938. Photography and the American scene. New York: Macmillan Company.

FURTHER READING

de la Rie, R.1982. Fluorescence of paint and varnish layers (parts 1 and 2). Studies in Conservation27:1–7, 65–69.

Eder, J. M.1978. The history of photography. New York: Dover Publications.

Griffiths, P. R.1983. Fourier transform infrared spectrometry. Science222:297–302.

Pobberovsky, I.1971. Study of iodized daguerreotype plates. Rochester: Graphic Arts Research Center.

Swan, A.1981. The preservation of daguerreotypes. Postprints, American Institute for Conservation 9th Annual Meeting, Philadelphia. Washington, D.C.: AIC. 164–72.

Walls, J. M.1989. Methods of surface analysis. Cambridge: Cambridge University Press.

AUTHOR INFORMATION

LEE ANN DAFFNER holds a B.A. in fine art printmaking from San Francisco State University and an M.A. and certificate of advanced study in conservation (1994) from the State University College at Buffalo. She is currently an Andrew W. Mellon Fellow in conservation at the Metropolitan Museum of Art in New York. Address: Paper Conservation Department, Metropolitan Museum of Art, 1000 Fifth Ave., New York, N.Y. 10028.

DAN KUSHEL received an M.A. in 1972 and completed doctoral course work in art history at Columbia University. He also holds an M.A. and certificate of advanced study in conservation (1976) from the State University College at Oneonta (Cooperstown Graduate Program in Conservation). He served as assistant conservator at the Brooklyn Museum and in 1978 joined the faculty of the Cooperstown Graduate Program (now the Art Conservation Department, State University College at Buffalo), where he currently holds the rank of professor, teaching in the areas of technical examination and documentation and paintings conservation. Address: Art Conservation Department, Rockwell Hall 230, State University College at Buffalo, 1300 Elmwood Ave., Buffalo, N.Y. 14222.

JOHN M. MESSINGER II received his Ph.D. in organic synthesis from the State University College at Buffalo in 1986. That year, he joined the faculty of the Art Conservation Department of the State University College at Buffalo as assistant, and then associate, professor of conservation science. In 1993, he resigned his position at the college to enter the School of Dental Medicine of his alma mater to pursue studies leading to the DDS. Address: As for Kushel.