REFERENCES

Altick, R. D.1973. The shows of London. Cambridge, Mass.: Harvard University Press.

Balzer, R.1987. Optical amusements: Magic lanterns and other transforming images. Watertown, Mass.: Richard Balzer.

Chilvers, I., and H.Osborne. 1988. Oxford dictionary of art. Oxford: Oxford University Press.

Core, H.1979. Wood structure and identification, 2d ed.Syracuse, N.Y.: Syracuse University Press.

Daguerre, L.J.M. [1839] 1982.Historique et description des procedes du daguerreotype et du diorama. Reprint, La Rochelle, France: Rumeur des Ages.

Freeman, R.1942. Cavalcade of toys. Watkins Glen, N.Y.: Century House.

Gascoigne, B.1986. How to Identify prints. New York: Thames and Hudson.

Gettens, R.J., and G.L.Stout. [1942] 1966. Painting materials, a short encyclopedia. New York: Dover Publications.

Lewis, R.J.1992. Hawley's condensed chemical dictionary, 12th ed.New York: Van Nostrand Reinhold.

Orme, E.1807. An essay on transparent prints, and on transparencies in general. London: Printed for, and sold by, the author.

Stanley, T.1994. The fraktur: Its history and a conservation case study. Journal of the American Institute for Conservation33:33–45.

FURTHER READING

Born, W.1941. Early peep-shows and the renaissance stage. Parts 1 and 2.Connoisseur107:67–71, 180.

Browning, B.L.1977. Analysis of paper, 2d ed.New York: Marcel Dekker.

C�t�, W.A.1980. Papermaking fibers: A photomicrographic atlas. Syracuse, N.Y.: Syracuse University Press.

Diaphanoramas en el museo romantico. 1994. Madrid: Museo Romantico.

Fraser, A.1966. The history of toys. London:Weidenfeld and Nicolson.

Gernsheim, H.1982. Origins of photography. London: Thames and Hudson.

Kaldenback, C.J.1985. Perspective views. Print Quarterly2(2): 87–104.

Kemp, M.1990. The science of art. New Haven, Conn.: Yale University press.

Newhall, B.1988. The history of phtography, 5th ed.New York: Museum of Modern Art.

Remise, Jac.1979. Magic Luminues. Paris: Ballard.

Russel, N.H.1991. Photographic viewers, decrative albums and related materials in the Spira Collection. Whitestone, N.Y.: S.F. Spira.

Stiber, L.1985. Conservation problems concerning a collection of composite artifacts: 18th century European prints modified for transillumination; or Peep-shows revealed. Student papers presented at the Art Conservation Training Programs 11th Annual Conference. University of Delaware/Winterthur Art conservation Program, Newark, Del.

Thomas, D.B.1964. Origins of the motion picture. London: H.M.S.O

Whitton, B.1986. Paper toys of the world. Cumberland, Md.: Hobby House Press.

Wright, Lewis.1901. Optical projection. London: Longmans, green, and Co.

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W.L. Gore and Associates, Inc., P.O. Box 1550, Elkton. Md. 21921

AUTHOR INFORMATION

TED STANLEY has been head of special collections conservation at Princeteon University since 1992. He is a former senior paper conservator at the Library of Congress, where he apprenticed and was a staff member from 1976 to 1992. Through a National Endowment for the Arts fellowship, he spent a sabatical year from 1984 to 1985 perforing paper conservation studies at the Bibloth�que Nationale, Paris, France, and the Centro Nationale de conservacion y Restauracion de Bien Culturales in Madrid, Spain. Address: Preservation Office, Firestone Library, Princeton University, One Washington Road, princeton, N.J. 08544-2098.