SYNTHETIC FILL MATERIALS FOR SKIN, LEATHER, AND FURS
LINDA NIEUWENHUIZEN
NOTES
1. Nylon fun furs can be dyed with acid or premetalized dyes according to the manufacturer's directions at pH 5.5 and pH 7 or slightly above, respectively. The dyed fabric must be subjected to an after-scour at 140�F.
REFERENCES
Chludzinski, G. R.1997. Personal communication. Chemical engineer and proprietor of Conservator's Products Co., Chatham, N.J.
Dignard, C.1992. Tear repair of skins with minimal access to their backs: The treatment of a kayak. Leather Conservation News7(2):1–8.
Fogle, S., and T.Raphael. 1984. Leather conservation terminology. Leather Conservation News1(4):39–51.
Jones, F.1996. IIC-CG seminar vegetable-tanned leather review. IIC-CG Bulletin21(2):5–8.
Kaminitz, M., and J.Levinson. 1988. The conservation of ethnographic skin objects at the American Museum of Natural History. Leather Conservation News5(1):1–7.
Larsen, E. B.1981. Moulding and casting of museum objects. Copenhagen: School of Conservation, the Royal Danish Art Academy.
Larsen, R., M.Vest, and K.Nielsen. 1993. The determination of hydrothermal stability (shrinkage temperature) of historical leather by Micro Hot Table technique. Journal of the Society of Leather Technologists and Chemists77:151–56.
O'Donnell, A.1996. Personal communication. Conservator in private practice, Portsmouth, R.I.
Wolthman, K.1996. Personal communication. Synthesis chemist, Rohm and Haas Laboratories.
Young, G.1997. Personal communication. Conservation scientist, Analytical Research Laboratory, Canadian Conservation Institute, Ottawa, Ontario, Canada.
Young, G.1990. Microscopical hydrothermal stability measurements of skin and semi-tanned leather. In ICOM Committee for Conservation preprints, 9th Triennial Meeting, Dresden, Germany. Paris: ICOM. 3:626–31.
FURTHER READING
ASTM. 1980. Standard definitions of terms relating to leather, D 1517-80. In Annual book of ASTM standards. Philadelphia: American Society for Testing and Materials.
Belitz, L.1970. Step-by-step: Brain-tanning the Sioux way. Pine Ridge, S.D.: Pine Ridge Indian Reservation.
Boulton, A.1986. The examination, treatment and analysis of a pair of boots from the Aleutian Islands including a note about possible pesticide contamination. Journal of the American Institute for Conservation, 25:1–13.
Calnan, C.1991. The aging of vegetable-tanned leather in response to variations in climatic conditions. In Leather: Its composition and changes with time, eds.C.Calnan and B.Haines. Northamptonshire, Eng.: Leather Conservation Center. 41–50.
Calnan, C., R.Selm, and B.Haines. 1990. Conservation of automobile and carriage leathers. Leather Conservation News7(1):7–8.
Clark, T.1985. Conservation of an aboriginal wallaby skin water bag. In Recent advances in leather conservation, ed.S.Fogle, T.Raphael, and K.Singley. Washington, D.C.: Foundation of the American Institute for Conservation. 62–64.
Collins, C.1986. Conservation techniques for ethnographic leather artifacts: Application to the Paul Kane Collection. Leather Conservation News3(1):14–16.
Cruikshank, P.1987. The conservation of a model Eskimo kayak involving the treatment of gut. Leather Conservation News4(1):1–12.
Down, J., M.MacDonald, J.Tetreault, and S.Williams. 1992. Adhesives testing at the Canadian Conservation Institute: An evaluation of selected poly(vinyl acetate) and acrylic adhesives. Environment and Deterioration Report No. 1603. Ottawa, Canada: Canadian Conservation Institute.
Fogle, S.1984. Mending and filling losses in two chinese lanterns. In Recent advances in leather conservation. Washington, D.C.: Foundation of the American Institute for Conservation.
Fogle, S., T.Raphael, and K.Singley. 1985. Recent advances in leather conservation. Washington, D.C.: Foundation of the American Institute for Conservation.
Haines, B.1984. The conservation of leather bookbindings. In Adhesives and consolidants, ed.N. S.Bromelle, E. M.Pye, P.Smith, and G.Thomson. London: International Institute for Conservation. 50–54.
Haines, B.1985. The strength of skin. In Recent advances in leather conservation. Washington, D.C.: Foundation of the American Institute for Conservation. 10–12.
Haines, B.1987. Shrinkage temperature in collagen fibres. Leather Conservation News, 3(2):1–5.
Haines, B.1991. The structure of collagen. In Leather: Its composition and changes with time, ed.C.Calnan and B.Haines. Northamptonshire, Eng.: Leather Conservation Center. 5–9.
Hatchfield, P.1986. Note on a fill material for water sensitive objects. Journal of the American Institute for Conservation, 25:93–96.
Kite, M.1992. Skin-related materials incorporated into textile objects. In Conservation of leather craft and related objects, ed.M.Kite et al. London: Victoria and Albert Museum. 33–35.
Kite, M.1992. Gut, membrane parchment and gelatine incorporated into textile objects. Paper Conservator16:98–105.
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Museo d'Arte Contemporanea. 1990. Mario Merz Exhibit Catalogue. A.Barzel, ed.Prado, Italy: Museo d'Arte Contemporanea.
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Plenderleith, H.1971. The conservation of antiquities and works of art. London: Oxford University Press.
Rahme, L.1990. Traditional tanning and skin sewing. Leather Conservation News7(1):1–5.
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Raphael, T.1986. Ethnographic skin and leather products: A call for conservative treatment. In Symposium '86: The care and preservation of ethnographic materials, ed.R.Barclay et al. Ottawa: Canadian Conservation Institute. 68–72.
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Thomson, R.1992. Leather and textiles and related objects: Leather for clothing. In Conservation of leather craft and related objects, ed.M.Kite et al. London: Victoria and Albert Museum.
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Waterer, J.1968. Glossary of leather terms. In Leather craftsmanship. New York: Praeger. 24–20.
Waterer, J.1972. A guide to the conservation and restoration of objects made wholly or in part of leather. London: G. Bell and Sons.
White, S.1992. Conservation of a Siberian parka: A joint approach. In Conservation of leather craft and related objects. ed.M.Kite et al. London: Victoria and Albert Museum.
Williams, S. L.1991. Variability in measurements resulting from microscopic analyses of collagen shrinkage-temperature. Collection Forum. 7(2): 53–63.
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SOURCES OF MATERIALSAcryloid F-10A butyl methacrylate homopolymer supplied in 40% solids in mineral thinner: Amsco F at 9:1, manufactured by Rohm and Haas. Amsco F is characterized as a C-8 aromatic with a flash point of 150�F. Acryloid F-10 has a glass transition temperature of 20�C.
Conservation Materials, Ltd., P.O. Box 2884, Sparks, Nev. 89431 BEVA 371 filmA mixture of DuPont Elvax 150 (ethylene vinyl acetate copolymer), Allied A-C 400 (ethylene vinyl acetate copolymer), BASF Laropol K80 (cyclohexanone resin), Hercules Cellolyn 21 (phthalate ester of hydrobietyl alcohol), and paraffin (petrolatum)
Conservator's Products, Conservation Materials, Ltd., P.O. Box 2884, Sparks, Nev. 89431 Bocour Magna ColorsPigments in Acryloid F-10
Bocour Artist Colors, Inc., Garnerville, N.Y. Dry pigmentsAvailable at art supply stores
Heated spatulaFor the greatest degree of success, an ERSA heated spatula with a small infilling spatula is suggested. Manufactured by G. Engelbrecht, Germany.
Olaf Unsoeld, Kolner L.L.C., 23 Grant Ave., New Providence, N.J. 07974 Hollytex #3529.Non-woven polyester fabric
Ahlstrom Filtration Inc., Talas, N. Y. ReemaySpun-bonded polyester fabric Manufactured by DuPont
Conservation Materials, P.O. Box 2884, Sparks, Nev. 89431 Rowney Cryla Artist ColorsAcrylic emulsion paints
Daler-Rowney, Available at art supply stores Synthetic nylon fur with four-way stretch spandex backing18 denier nylon hair with woven nylon wrapped LycraTM backing
National Fiber Technologies, Ltd., 300 Canal St., Lawrence, Mass. 01840 3M glass microspheres K-15Unicellular soda lime borosilicate glass microspheres, 3M Corp.
Conservation Materials, P.O. Box 2884, Sparks, Nev. 89431 Winsor & Newton gouachePaints
Winsor & Newton, Available at art supply stores
AUTHOR INFORMATION
LINDA NIEUWENHUIZEN received a B.A. in art history and archaeology from the University of Missouri at Columbia in 1986 and an M.A. and certificate of advanced study from the State University College at Buffalo, N.Y. in 1990. After finishing her training, she interned and then gained employment at the American Museum of Natural History, New York City, where she worked until 1996. She is an adjunct professor at the Conservation Center of the Institute of Fine Arts, New York University, where she has taught since 1992, and is in private practice specializing in ethnographic objects and natural science materials. Address: Give Me a Break Conservation Services, Inc., 48-20 Vernon Blvd., Ste. 2, Long Island City, N.Y. 11101.
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