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 Greetings: 
You might have seen the AP story, 
yesterday, about the federal spending bill signed last week.  Did you 
wonder about the University of Idaho getting money for its jazz 
archive?  I'm the archivist.  I think the article may have 
overstated, a wee tad, our plans for a website, saying that we will put the 
entire collection on the internet: photos, recordings, scores, artifacts, and 
all.  We will have a website, in time, but just now I hope to get an 
office and chair and phone to call my own.  Some tables and space and 
boxes and folders to do the physical processing of the collection that we have 
accumulated would be nice, too.  That's coming.  We'll be 
joining ARSC, and I'll be needing help from this listserv as we 
proceed.  I look forward, particularly, to dealing with others with other 
jazz archives.  
We are, admittedly, off the commonly perceived jazz 
circuit, here in north Idaho.  You might be asking yourselves: "What, is 
jazz the preferred music of white supremacists?"   News about the 
Aryan Nation compound, north of here 100 miles or so,  usually overshadows 
the fact that Lionel Hampton has been heading up a jazz festival in Moscow, 
every February, for some years.  We have his papers, as well as those 
of the late jazz critic Leonard Feather.  We also have the standard fare 
for sound archives, to judge from the websites I've visited and the few 
conversations I've had, thus far, with media archivists: tape and records 
of several dimensions, and now cds. We've been promised some wax and foil 
cylinders, along with the machines that used to play them. Not that I would 
allow use of the cylinders on old equipment.  I know more about film 
and videotape than about sound recording and sound 
recording equipment, but many of the same conservation and preservation 
rules apply.  Back in my graduate school days, at Syracuse U., I stopped in 
often enough at the sound archives bunker (handy by the library and the 
communications school) to absorb this basic instruction: These things 
are fragile, be careful!  Now that our collection processing 
money is really, truly promised, I'll be reading up and asking you for 
more detailed advice as the need arises.   
I thank for your attention. 
Michael Tarabulski 
Jazz Archivist 
International Jazz Collection 
University of Idaho  
Moscow, ID 
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