[Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index]
Re: arsclist National Recording Registry: Nominations
From: Patent Tactics, George Brock-Nannestad
Thanks, Bill and Jim, for considering the issue. Personally, I
believe that humankind will have to develop considerably before a
disembodied timeslice of sound will have as much "sentimental
value" as a tangible item. And the collector's world will be
materially different.
The subject came up in discussion after a paper by Matthew
Davies of ScreenSound Australia on 18 September 2002 at the
IASA Conference in Aarhus, Denmark. Matt gave some very vivid
definitions which are useful for bringing order to minds having to
deal with a confusing range of items: he defined Heritage Value
more or less as the degree to which the material is worth fighting
for by an archive, and he used the following categories:
Crown Jewels
Gems
More Treasure For the Chest
Ore
Slag For the Heap
However, not even the lowest category is discarded before some
time has passed - it is given an n'th chance.
The intenseness of the work was decided on the basis of the
following categories:
Resurrection
Intensive Care
Epidemics
Accidents
Weary But Well
Whole And Hearty
All in all a no-nonsense way of looking at things.
I asked about something for the Gem category, and there was no
problem with finding one from the analog world. However, when
asked about a disembodied digital gem, upon reflection he felt that
we are still too close to such items to be able to make a sensible
choice. This goes very well with the National Recording Registry
Act's 10 years rule. Incidentally that act was approved by Senate
on the same day (25 October 2000) that an airport safety act was
approved. Hopefully it will be more successful.
Best regards,
George
-
For subscription instructions, see the ARSC home page
http://www.arsc-audio.org/arsclist.html
Copyright of individual posting is owned by the author of the posting and
permission to re-transmit or publish a post must be secured
from the author of the post.