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Re: [ARSCLIST] [MLA-L] Requesting feedback on laser turntables (a)
> -----Original Message-----
> From: Association for Recorded Sound Discussion List
> [mailto:ARSCLIST@xxxxxxx] On Behalf Of George Brock-Nannestad
> Sent: Wednesday, April 27, 2005 12:21 AM
> To: ARSCLIST@xxxxxxxxxxxx
> Subject: Re: [ARSCLIST] [MLA-L] Requesting feedback on laser
> turntables (a)
>
> From: Patent Tactics, George Brock-Nannestad
>
> Steven, are you relaying responses back to the MLA?
>
> From: Jeffrey Kane
>
> > I own the LT-2XRC. I see no advantage whatsoever to the ELP
> but quite
> > a few disadvantages given the situation as outlined. The
> turntable is
> > hypersensitive to contamination. Any dirt/dust/etc will cause a
> > torrent of audible pops and clicks where such distortion will be
> > subaudible and/or not as severe with a standard turntable.
>
> ----- the clicks are clean and brief such as you would never
> get with a mechanical reading of the surface. And for an
> archive the great advantage is that you can play and identify
> a dirty record without the need to clean it, and there is no
> wear to a stylus.
On the wear and cleaning issue, you are correct. In the narrow context of my
response I was taking into account that the material at hand is neither
fragile nor unique and is already known. As for the transients, I've not
analyzed them. I got so fed up with what I perceived as the greater number
of clicks and pops from the ELP that unless the material is damaged I
haven't been using it. I've got to take a look at that.
>
> Thus, a mandatory investment would be a Keith Monks or
> > Loricraft record cleaner. Even they won't always get things clean
> > enough for the ELP and you'll still have annoying transients.
>
> ----- when bought full-price the ELP comes with a record
> cleaner. Certainly before the change in US 'distributors'
> this was a VPI model that did an excellent but terribly noisy job.
True, however paying full retail is far more expensive than obtaining a
discount and buying a cleaner separately.
>
> >
> > The subjective sound quality of the ELP is excellent. Yet, the
> > conversion to a streaming digital medium will likely negate any
> > advantage. Note that the ELP is fully analog and will still
> require A/D conversion.
>
> ----- as would a mechanical pickup. How can an advantage in
> signal quality be negated by A/D conversion?
It's not the A/D conversion that will negate the quality advantage. The
conversion to a lossy streaming digital medium will render the ELP's
increased fidelity moot. Even at the highest bitrates, a lossy streaming
codec will decimate the signal (does a lossless streaming codec exist?). As
even a modest traditional turntable can provide excellent sonic results I
submit that the difference between a turntable and the ELP will be lost in
that situation.
> >
> > I have not had reason to contact ELP for support. As I
> understand it,
> > any repairs require shipping the unit back to Japan. Should
> ELP fail,
> > the turntable will be a very expensive orphan.
>
> ----- this I consider a great problem, because the ELP is a
> precision instrument that I would not want to be thrown
> about. I know from experience that the big carriers (DHL,
> USP) respect neither "Fragile", nor "this side up".
>
I am hopeful that the new distributor will have repair facilities here in
the US. I have contacted them but haven't received a response as of yet.
> >
> > In my case, the ELP gets very little use. I find it invaluable when
> > working with cracked LPs and 78s as it still plays through defects
> > that would snap a standard stylus straight off. It also has some
> > utility in compensating for groove wear as it can 'track' different
> > points on the groove wall. It will not work with colored
> vinyl/shellac
> > (although it DOES work with dark translucent vinyl such as Quiex II
> > and JVC Supervinyl). In short, it's a limited purpose tool
> that does a
> > few things quite well. It's a nice complement to a
> turntable, not a replacement for one.
>
> ----- it could well be a replacement if you do not intend to
> use vertically modulated records of the Edison or Pathé type.
>
> The person in the US whom I would expect to be presently the
> most knowledgeable about the ELP is Eric Jacobs.
>
> Kind regards,
>
>
> George
>