[Table of Contents]


[Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index]

[ARSCLIST] Score Preservation



Hi All,
I rarely post anything, but I am always reading. I have an issue that has come up and I need some help from the experts out there. A few of you know that I had been working for a French composer for many years, Michel Colombier. Michel had passed away a year ago November 14th. Since then I've been dealing with a lot of the issues on what to do with the master tapes, DATs and CD's, but and the question of how to deal with all the hand written scores is a concern. Since my expertise is short on the paper preservation/ restoration side, I've asked a few friends and composers locally to see if they have had any input on this. Some didn't know and some have said that they need to be sprayed with some sort of "art" spray so the pencil won't smudge and wear away. I don't know if that stuff is more damaging over time. Would it make a difference what type of paper he used (manufacturer?) and what pencil? I don't know if the paper is acid free. It's a yellow shade with printed staffs on it. What about storage conditions? I know that when I worked at The Eastman School of Music everything in the studios was at 68 degrees, 45% humidity. Does the same apply to paper scores and books? I've also questioned donating the scores to a University. This is something I need to discuss with his wife and a few close friends of his.
I appreciate any input on this. This stack of score sheets is a big part of his life and I don't want to see it destroyed. It seems rare these days to see actually see somebody hand write a score and make adjustments to it on stage in front of an orchestra. I feel blessed to have witnessed him at work.


Thank you for any help,

Mark Shakarjian
http://michelcolombier.com/

PS- Feel free to reply off-list


[Subject index] [Index for current month] [Table of Contents]