Goran Finnberg wrote:Which makes the practice of adding echo after the recording highly dubious for classical music as you´re correct that the tempo is set by how long the ambience is in the room where the recording was done.
What the musicians hear always has a huge impact on the music no matter what genre it is. I'm convinced that a lot of today's signal processing abuse is a result of overdubbing, bad headphone mixes and people trying to perform while listening to excessive dynamics processing.
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