"WLX" identifies a take as having been made in France. "WAX" identifies it as made in England. Is WAX correct for the alternative of -1608? Don TaitAt 05:51 PM 4/5/2006, you wrote:
Are you sure it's the same music? Columbia usually used further take numbers for additional takes rather than assigning a new matrix number.
Steve Smolian
What Stanford has: The records in Columbia album set M-184 include: 68123-D (WLX-1599-1/WLX-1600-1) 68124-D (WLX-1601-1/WLX-1602-2) 68125-D (WLX-1607-1/WLX-1608-2) The individual records are: LX-199 (WLX-1607-1/WLX-1608-2 and LFX-263 (WLX-1599-1/WLX-1600-1) LFX-264 (WLX-1601-1/WLX-1602-2) LFX-265 (WLX-1607-1/WLX-1608-2)
----- Original Message ----- From: "Aurora Perez" <aperez@xxxxxxxxxxxx>
To: <ARSCLIST@xxxxxxxxxxxx>
Sent: Wednesday, April 05, 2006 7:54 PM
Subject: [ARSCLIST] Alternate take, "part IV", Stravinsky: "Musique de l'Histoire du Soldat"
I have a researcher who is looking for the alternate take to Columbia matrix WLX-1602-2, "part 4" of Stravinsky: Musique de l'Histoire du Soldat, conducted by the composer, which may have been released on any one of the following Columbia pressings.
Columbia 68124-D from set M-184 72293-D from set MM-184 LFX-264 LX-198 GQX-10673 LWX-26
The Archive of Recorded Sound at Stanford has the other alternate take to WLX-1608-2 (i.e. WAX-1608-1-A-F-1 on record number 72291-D in album MM-184) but not the alternate take for WLX-1602-2.
If anyone has this alternate take, please contact the researcher Michael Stanley <mstanle3@xxxxxxxxx>. Also, please post to the list for the enlightenment of all.
Thanks,
Aurora Perez
Stanford Archive of Recorded Sound
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