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Re: [ARSCLIST] Fwd: [ARSCLIST] Fwd: [ARSCLIST] RCA symphonic work competition -
Flip of Rhapsody in Blue, wasn't it? I avoid all those dubs anyway.
dl
Don Tait wrote:
   Yes, there was an early LP version -- Victor 24000.
   Don Tait
   
-------------------------------------------------------------------------------
 I just rememberd that this was issued on a Victor Program Transcription 
disc. 10 inch , If
 memory serves? Don't know if there was a special sleeve for this one or 
not.
 Bob Hodge
 Robert Hodge,
 Senior Engineer
 Belfer Audio Archive
 Syracuse University
 222 Waverly Ave .
 Syracuse N.Y. 13244-2010
 315-443- 7971
 FAX-315-443-4866
 >>> smolians@xxxxxxxxx 4/17/2006 6:17 PM >>>
 There was an insert and special sleeve for this record.  A copy is at the
 Johnson Victorla Muesum, Dover, DE.
 It is also still Victor, not yet RCA.
 Steve Smolian
 ----- Original Message -----
 From: "Don Tait" <Dontaitchicago@xxxxxxx>
 To: <ARSCLIST@xxxxxxxxxxxx>
 Sent: Monday, April 17, 2006 6:04 PM
 Subject: [ARSCLIST] Fwd: [ARSCLIST] RCA symphonic work competition - 1929
 >  I have a copy of the 78 to which Steve Smolian referred, Victor 36000.
 > The
 > labels read
 >
 >  36000-A -- TWO SYMPHONIC SKETCHES
 >                    (a) Nocturne (b) March
 >                     (1st Prize Award)
 >                     (Thomas Griselle)
 >
 >  36000-B -- SONG OF THE BAYOU
 >                    (2nd Prize Award)
 >                       (Rube Bloom)
 >
 >  The Griselle is credited to the Victor Concert Orchestra, the Bloom to
 > the
 > Victor Salon Group (male voices). The conductor of both is Nathaniel
 > Shilkret.
 >
 >  It's interesting that the label doesn't say what contest these works 
won,
 > but I gather from what Steve wrote that there was accompanying publicity
 > (that
 > would be typical of Victor) and perhaps the company assumed that
 > purchasers
 > would know.
 >
 >  Don Tait
 >
 >
 
--------------------------------------------------------------------------------
 > Isn't this the composition for which Tom Griselle won a prize for his 
Two
 > American Nocturnes? (Also on a Naxos CD, Symphonic Jazz.)
 >
 > dl
 >
 > Alec McLane wrote:
 >
 >  There were actually only 4 composers because Robert Russell Bennett
 >  was awarded 2/5 of the prize. Here's from the liner notes to a Naxos
 >  recording of Bennett's _Abraham Lincoln_ (quoted at
 >  http://www.naxos.com/mainsite/blurbs_reviews.asp?
 >
 >
 
item_code=8.559004&catNum=559004&filetype=About%20this%20Recording&language=English):
 >
 >  __________________________
 >  In Paris and Berlin in 1927-28, on a Guggenheim Scholarship, he
 >  noticed an RCA Victor competition with a prize of 25,000 dollars for
 >  an outstanding orchestral composition, with a small prize for a
 >  lighter piece of music. He submitted the two works on this disc - the
 >  patriotic Abraham Lincoln and the abstract orchestral painting of
 >  Sights and Sounds. Both pieces were scored for an enormous band of
 >  musicians and are of large proportions.
 >
 >  RCA Victor's jury consisted of Leopold Stokowski, Serge Koussevitzky,
 >  Frederick Stock, Rudolph Ganz and Olga Samaroff. They decided no work
 >  was better than any other to win outright and awarded five prizes to
 >  Aaron Copland's Dance Symphony, Louis Gruenberg's Symphony, Ernst
 >  Bloch's Helvetia and two 5,000 dollar awards to Bennett's pieces.
 >
 >  Despite their huge orchestral forces, Bennett's prizewinners were
 >  then published. Abraham Lincoln was first performed by Stokowski and
 >  the Philadelphia Orchestra in October 1931, with a second performance
 >  given a fortnight later at the dedication of the Juilliard School's
 >  new auditorium. For this, Bennett wrote his own programme notes,
 >  drawn from below.
 >  ___________________________
 >
 >  Alec
 >
 >  At 11:19 AM 4/17/2006, Paul Charosh wrote:
 >  >
 >  >
 >  >In 1929, RCA Victor offered a prize of $25,000 for a new symphonic
 > work.
 >  >The
 >  >prize was divided among five composers.  Copland was  one; he received
 > $5,000
 >  >for his submission.
 >  >
 >  >How to find out  who were the other four recipients?  Also, who at
 > RCA/Victor
 >  >was in  charge of the competition?  Can one find out who were the
 > judges?
 >  >Can
 >  >one find out who submitted works?
 >  >
 >  >Paul Charosh
 >
 >  
------------------------------------------------------------------------
 >  Alec McLane
 >  Scores & Recordings/
 >    World Music Archives       Phone: (860) 685-3899
 >  Olin Library                       Fax: (860) 685-2661
 >  Wesleyan University          mailto:amclane@xxxxxxxxxxxx
 >  Middletown, CT  06459       
http://www.wesleyan.edu/libr/srhome/srdir.htm
 >
 
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