On 25/08/06, Tom Fine wrote:
I think it was a greater feat of great engineering to squeeze fantastic sound out of ANY grooved medium, particularly 78's, than to put out a clearly-audible recording using modern means. Alas, the skill set has slipped so badly that many modern recordings are horrible. Think of a band, producer and engineer working with the requirement of live takes, a set time limit imposed by the disk medium, very primative recording equipment (maybe 3 or 4 ribbon mics, a mixer with no EQ and limited patching) and the known fact that the result will lose 2 or 3 generations of quality by the time it gets into the consumer's hand. That's the 78 era. Now think of all the luxury of non-linear time, overdubs, computer-screen editing and tools like pitch correction and it's very depressing how bad the end product is in most cases today. And I'm not even talking about the basic lack of musical talent.
Why would a 78 lose three or four generations of quality? The production disc is a directly moulded copy of the original, without going through a tape generation.
All that is wrong is the noise in the physical shellac material. (Plus any damage from playing - but that applies to LPs too.)
I remember there were some audiophile "direct cut" LPs in the 70s, too.
Regards
--
Don Cox
doncox@xxxxxxxxxxxxxx