Don Cox wrote:
On 02/10/06, K
Some releases are as good as anything available.
I'm not saying some of them aren't. I'm saying that this is a
"business model" that doesn't really benefit classical music.
Those union contracts WERE negotiated with the major labels. Are you
suggesting that musicians who have spent a lifetime competing for a
chair in one the world's leading orchestras don't deserve the level
of compensation the major labels have agreed to as appropriate for
their level of accomplishment?
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