Don Cox wrote:Certainly that business model benefits classical music. It provides income for capable musicians who would otherwise have no exposure. It provides excellent performances for collectors who are not concerned about the difference in sound between a Steinway and a Bechstein.On 02/10/06, K Some releases are as good as anything available.
I'm not saying some of them aren't. I'm saying that this is a "business model" that doesn't really benefit classical music.
Those union contracts WERE negotiated with the major labels. Are you suggesting that musicians who have spent a lifetime competing for a chair in one the world's leading orchestras don't deserve the level of compensation the major labels have agreed to as appropriate for their level of accomplishment?
Mike -- mrichter@xxxxxxx http://www.mrichter.com/