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Re: [ARSCLIST] Tape transport gentleness was delicacy WAS reel choices was help in fair pricing of reel to reel machines



Well, it's really all MY fault. But now I know what decks are the "best" or whatever that means. There are guys who really like those early Ampex units, but they're too demanding for me (too much to go wrong). I suppose they have a tube sound that adds something. There seems to be a growing trend to take a 1/4" 2 track to use in mastering to get "that sound", which is tape saturation, apparently.
Phillip


Jeffrey Kane wrote:
Richard,

It wasn't my intention to put you on the spot. My apologies! I greatly
appreciate the feedback.



-----Original Message----- From: Association for Recorded Sound Discussion List [mailto:ARSCLIST@xxxxxxx] On Behalf Of Richard L. Hess Sent: Wednesday, January 24, 2007 4:42 PM To: ARSCLIST@xxxxxxxxxxxxxxxx Subject: Re: [ARSCLIST] Tape transport gentleness was delicacy WAS reel choices was help in fair pricing of reel to reel machines

At 05:05 PM 2007-01-24, Matt Sohn wrote:
Richard,
I notice the Studer B67 doesn't show up on your list. Any particular reason? This is what I use, and I've been very happy with it. Very gentle transport too.

I knew this would happen - the list was my opinion based on what I've discussed with others whom I greatly trust and my personal experience.


The B67 is not a bad machine at all and if you're happy with it, that is wonderful. But, if you can have an A810 for not much more than a B67, wouldn't you prefer the A810?

Part of my prejudice is to electronic alignment systems and, IIRC, the B67 has screwdriver alignment. In the way I work, I need "preset" memories for tape alignment parameters.

Because of this, my real short list is:
Studer A820, A812, A810
Sony APR500x
Ampex ATR-100 with 3rd party computer-controlled padnets

Cheers,

Richard


Richard L. Hess email: richard@xxxxxxxxxxxxxxx
Aurora, Ontario, Canada (905) 713 6733 1-877-TAPE-FIX
Detailed contact information: http://www.richardhess.com/tape/contact.htm
Quality tape transfers -- even from hard-to-play tapes.






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