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Re: [ARSCLIST] LP pressing question



Actually, what I love is that if a mix went a little long, say over 2:30 in the 60's that the producer would just say it was 2:31 and it would end up that way on the label and they'd leave it at that.That way you gave a Program Director no ammunition to keep your recorded from being added to rotation! A classic case of "fake it till you make it". I don't know why but the audacity of doing a 3:00 mix and printing 2:31 on the record just tickles me pink...

AA

Michael Shoshani wrote:
Tom Fine wrote:
When the QC listening was done, it was done with a stop-watch so that times could be known for problem, which were noted.

That's interesting - I read somewhere that records did not carry time information until after tape was introduced, which led me to conclude that the time was calculated by measuring the tape footage and dividing it by the speed, rather than having some poor schlub sit there all day with a stopwatch.


Michael Shoshani
Chicago



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