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Re: [ARSCLIST] Philips U.S. releases in the 60's
I know the label you mean,but I have never seen any classical on the label,just what is now called "world music".
Roger
David Lennick <dlennick@xxxxxxxxxxxx> wrote: The Philips US reissue label I was thinking of was World Series. All that I've
seen are Canadian pressings, mid 60s, from when London distributed the label up
here. I think these were the first to proclaim themselves "compatible mono
stereo", and I vaguely remember (don't own any, used to see them in radio
stations and nobody ever wanted to play them) that they were low level and had
phasing problems, or at least sounded slushy in mono.
Wing did some tolerable reissues, at least if you got the mono versions or were
assured that the original had been recorded in stereo. But yes their fake
stereo releases were pretty awful. Wing blue label pressings from the 50s are
appalling, pressed on styrene in the US..at least up here we got Quality's low
grade vinyl, better than nothing. I have some 60s Wing US pressings that are as
good as any contemporary Mercurys. I also have Wing 78 issues from the 50s, so
Mercury may have used the name for a spinoff label similar to Columbia's Epic
and RCA's Vik (X, Groove).
dl
Roger and Allison Kulp wrote:
> Tom,David,et al,
>
> I have never seen a US budget Mercury reissue of a Philips Lp.I'm not saying they don't exist,but,I have never seen one.Their buget label was "Wing",that put out inferior reissues of mono Living Presences.There are the Mercury-pressed Philips of Willem Mengelberg,which I think are grossly underrated.Tom,you are well aware of the Svastiaslv Richters,on Philips,that your mom produced,in like 1963,and '64.
>
> Some of these deep groove US PhilipsLps,on a black glossy label,are as good as Living Presences,IMHO.These would be the pressings from roughly 1963-67, by '68,they were beginning to go downhill,as were Mercurys themselves.Philips began to export records to the US,around late 1969,or early 1970,perhaps Don,or someone else could clarify this date.Both British and Dutch pressings were imported.
>
> Philips did,indeed,export pressings,from Holland,to other countries before this.I just learned this last year,when I bought such a record,from somebody in Mexico .(eBay of course.)This is one of those 1956 Clara Haskil Mozart Jubilee Lps.The pressing is a post-minigroove maroon label Dutch pressing from the early 60s.(No photo of record in the listing,just the cover.) I cannot recall,if it says "Made in Holland" on the label,it may not.The cover is a copy of the Dutch one,except it looks like it was printed in The US.Heavy,laminated cardboard,like an early 60s Merc.On the back cover,is a round orange sticker,slightly smaller than a quarter,that says imported from Holland,in Spanish.
>
>
> Roger
>
> David Lennick wrote: Philips came into the picture when US Columbia lost its arrangement with
> English Columbia, which began exporting its product to the US as Angel (around
> 1953). There were no imported Philips pressings sold over here in the 50s
> except odd items like musicals and revues (Joyce Grenfell etc). Epic probably
> relied a lot more on Philips than Columbia, being a new label with not much
> homegrown classical product except Szell and the Cleveland Orchestra, but all
> Beecham's recordings appeared on Columbia (that was probably because of a
> contract with Beecham). As well, all US Columbia product that was issued in
> Europe came out on Philips.
>
> As for recycling the 50s Philips recordings once Philips owned Mercury, I
> recall some domestic pressings and budget reissues, but I'd say (without being
> certain) that the full price stuff came in as imports, as did Deutsche
> Grammophon titles in the 60s (there was a period when those were imported by
> MGM and packaged on this side).
>
> Partial answer, anyway. One way to answer whether Columbia and Epic held onto
> old titles is to check in 60s Schwanns.
>
> dl
>
> Tom Fine wrote:
>> I'm hoping there is a student of Philips history here.
>>
>> As I understand it, before Philips bought Mercury, they had a U.S.
>> distribution deal with Epic (CBS). I've seen Epic tapes and LPs of
>> Concertgabouw (sp?) and I Musici and perhaps others. After Philips
>> bought Mercury, by the mid-60's, they had a bunch of their classical
>> records on sale here, I believe manufacturered here and sleeves like
>> Mercury records (not thin paper like European Philips records from the
>> 60's).
>>
>> So here are my questions:
>>
>> 1. Was some or all of the material originally out on Epic reissued on US
>> Philips?
>> 2. Was the entire European classical catalog issued here by the mid-60's?
>> 3. Were the LPs indeed manufactured in the US or just sleeved here?
>> 4. Were new masters cut or were European manufacturing parts sent here?
>>
>> -- Tom Fine
>>
>
>
>
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