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Re: [ARSCLIST] Philips U.S. releases in the 60's
Philips came into the picture when US Columbia lost its arrangement with
English Columbia, which began exporting its product to the US as Angel (around
1953). There were no imported Philips pressings sold over here in the 50s
except odd items like musicals and revues (Joyce Grenfell etc). Epic probably
relied a lot more on Philips than Columbia, being a new label with not much
homegrown classical product except Szell and the Cleveland Orchestra, but all
Beecham's recordings appeared on Columbia (that was probably because of a
contract with Beecham). As well, all US Columbia product that was issued in
Europe came out on Philips.
As for recycling the 50s Philips recordings once Philips owned Mercury, I
recall some domestic pressings and budget reissues, but I'd say (without being
certain) that the full price stuff came in as imports, as did Deutsche
Grammophon titles in the 60s (there was a period when those were imported by
MGM and packaged on this side).
Partial answer, anyway. One way to answer whether Columbia and Epic held onto
old titles is to check in 60s Schwanns.
dl
Tom Fine wrote:
I'm hoping there is a student of Philips history here.
As I understand it, before Philips bought Mercury, they had a U.S.
distribution deal with Epic (CBS). I've seen Epic tapes and LPs of
Concertgabouw (sp?) and I Musici and perhaps others. After Philips
bought Mercury, by the mid-60's, they had a bunch of their classical
records on sale here, I believe manufacturered here and sleeves like
Mercury records (not thin paper like European Philips records from the
60's).
So here are my questions:
1. Was some or all of the material originally out on Epic reissued on US
Philips?
2. Was the entire European classical catalog issued here by the mid-60's?
3. Were the LPs indeed manufactured in the US or just sleeved here?
4. Were new masters cut or were European manufacturing parts sent here?
-- Tom Fine