[Table of Contents]


[Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index]

Re: [ARSCLIST] Good industrial-strength LP cartridge for spoken-word material/stanton



Dan, what do these mean?

"47k 200 pff network across the input "

"RIAA equ [EQ?] pre amps"

Randal Baier



Dan Nelson wrote:
I too use a Stanton 500 with various stylus.. my next link in the chain is a flat pre amp which has a 47k 200 pff network across the input to match the Stanton loading requirement followed by a 1/3 octive equalizer to custom set recording curves or lack of for best overall response.
The best thing about using an equalizer to set playback curves is that older recordings can get very tubby in the mid low with RIAA equ pre amps.
dmw


--- On Mon, 4/20/09, Roderic G Stephens <savecal@xxxxxxxxxxxxx> wrote:

From: Roderic G Stephens <savecal@xxxxxxxxxxxxx>
Subject: Re: [ARSCLIST] Good industrial-strength LP cartridge for spoken-word material
To: ARSCLIST@xxxxxxxxxxxxxxxx
Date: Monday, April 20, 2009, 8:57 AM
Hi Tom,

I've been using the Stanton 500 MK II cartridge for many
years with changeable styli to transfer all kinds of program
material with excellent results.   So, I
think that would be an excellent choice in my opinion.

Rod Stephens


--- On Sun, 4/19/09, Tom Fine <tflists@xxxxxxxxxxxxxxxxxxx> wrote:

From: Tom Fine <tflists@xxxxxxxxxxxxxxxxxxx>
Subject: [ARSCLIST] Good industrial-strength LP
cartridge for spoken-word material
To: ARSCLIST@xxxxxxxxxxxxxxxx
Date: Sunday, April 19, 2009, 3:07 PM
A friend of mine has a really nice collection of
spoken-word
LPs he wants to get into his iPod for easier access.
He's got a decent transfer setup, certainly of higher
fidelity than most of these recordings. I got him set
up
with Technics SL1200 MK2 turntable. Now we're
wondering
about the best cartridge for the job. I was thinking
something like a Shure M44 decendent, mainly because
it's low-cost but effective and again will have
better
fidelity than most of these records. We were also
thinking
maybe a Stanton 500 or 720. Given that some of these
records
were really bad pressings (think limit-release stuff,
very
interesting content but very low-grade production and
pressing), trackability would be a plus. Most of the
LPs are
in decent, good or excellent condition so the
cartridge
won't confront a tracking minefield in almost all
cases.
The tough cases, I told him we'd sort them out at my
studio.

So, the goal here is a low-cost but good quality
cartridge
that tracks loyally and isn't finicky and is durable
enough to give him a good run for the money.
Recommendations
appreciated.

-- Tom Fine




[Subject index] [Index for current month] [Table of Contents]