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Re: [ARSCLIST] Decca/London phase 4 stereo series



Goran
Thanks for that information. It makes sense.
I read it somewhere and just wondered how much truth there was in it.
The confusing part of course, is that some releases were "London" only and not Decca. i.e. "Film Spectacular vol 1". Decca seem only to have released Vol 2 and some subsequent volumes..
Fascinating stuff.
Terence Tegner


----- Original Message ----- From: "Goran Finnberg" <mastering@xxxxxxxxx>
To: <ARSCLIST@xxxxxxxxxxxxxxxx>
Sent: Monday, June 22, 2009 12:11 PM
Subject: Re: [ARSCLIST] Decca/London phase 4 stereo series



Terence:

Interestingly I have read that the
Decca phase 4 records are preferred
to the London pressings for sound quality.

When I have spoken to DECCA about this, John Dunkerly is one source, they were adamant that London and DECCA pressings were all done in England thus exactly the same.

In rare cases a master tape copy was used for a foreign release but in most
cases pressing stampers were sent if there was a need for a swift release.


I have compared the matrix numbers on many London releases with their DECCA
releases and they are the same so far after more than a few hundred
comparisons so far during some 35 years of listening and looking and I
cannot hear any difference.


The reason given for doing it this way was for keeping the quality up.

DECCA always used the original edited master tape as the source for the
Neumann cutter as they felt that the quality loss from using a copy tape was
not acceptable at all to them.



--


Best regards,

Goran Finnberg
The Mastering Room AB
Goteborg
Sweden

E-mail: mastering@xxxxxxxxx

Learn from the mistakes of others, you can never live long enough to
make them all yourself.    -   John Luther

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The message was checked by ESET Smart Security.

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