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RE: [AV Media Matters] arsclist RE:Re-evaluating Tape Stock for Mastering
- To: AV-Media-Matters@topica.com
- Subject: RE: [AV Media Matters] arsclist RE:Re-evaluating Tape Stock for Mastering
- From: Graeme Jaye <gjaye@retemail.es>
- Date: Wed, 7 Jun 2000 07:22:29 -0700
- Message-id: <0.10003996.236725483-951758591-960387747@topica.com>
At 16:07 01/06/00 -0400, Jim wrote:
>Comments on back coating vs. non-back coating. Our rationale for using
>non-back coating is the tremendous problems we have seen with back coat
>failure, and no back coat eliminates that issue - AND we can't really
>figure out what the real value of backcoat is anyhow these days. Does
>this logic hold?
While not in the archival business, I must say I was surprised to see this
statement. I can't recall ever having seen a case of backcoat
failure from
any of the manufacturers.
The logic of using a backcoat is one which I would have though was very
important for archivists, as it promotes a better wind, stops
tape blocking
and eliminates tape slip. As it is primarily carbon based, it will also
reduce static charge building up on the tape. I would have thought that
any one of these reasons would have been enough to promote its universal
use for archival puposes.
>Comments regarding 1.5 mil vs 1.0 mil relating to print through and
>other performance characteristics of base film thickness. i.e. with the
>new PET basefilm stocks being used is 1.5 REALLY that much better then
>1.0 mil these days. Is there really a reason to use 1.5 mil for 1/4"?
Yes - there is. No matter what the material used to manufacture the
base film, the problem of print-through is still directly related to
its thickness. Thicker tape = lower print-through.
On top of that, thicker tapes are easier to handle, less prone to
stretch and generally tougher all-round. Again, I would have
thought these were all very good reasons to use such a tape for
archival purposes.
It might also be argued that thinner tape = better head contact, but
I presume these tapes would be played on professional equipment
where this is not really an issue - it's more a way for domestic
equipment manufacturers to be looser with their mechanical
specifications :-).
>Any feedback on storing as pancake vs. NAB metal reels?
This is moving out of my field, but personally I would avoid the use
of pancakes for a purely practical reason. If, for whatever reason,
one comes apart, you have 1200' of tape on the floor - that is a
good enough reason for me to not even think of using them. However,
archivists may take a different view for more important (to them)
reasons.
Long-term storage containers for archive is a subject where I can't
comment.
>Any comments on current binder systems - are they REALLY that different.
>Performance v. Longevity in actual practice.
I have little to do with tape these days - but I don't think they are any
worse than they used to be (before the sticky-shed nonsense, that is).
>Any bad experiences with recent stocks other then the usual occasional
>bad batches.
Not enough recent experience to comment on this.
>Abrasivity issues?
Similarly - although I would have thought the days of *really* abrasive
tapes was long gone.
Graeme Jaye
gjaye@retemail.es
Personal-CD - Affordable Audio Restoration
http://www.personal-cd.com