ACUMG,
There are a number of initiatives to support 
increased public funding for the arts including 
"stimulus" money.
Perhaps ACUMG should pass resolutions in support 
and gear up for a likely long push to get more 
support. We need coalitions and plans.
Below is what has been done and I up for the CAA 
meeting in L.A. in a couple of weeks.
Fred
ps
Americans For The Arts is ahead of most arts organizations so far.
http://www.AmericansForTheArts.org/CulturalPolicy
Date: January 15, 2009 1:15:22 PM EST
======================================
Subject: CAA Letter to Barack Obama
Source: College Art Association News | CAA News
Author: Christopher Howard
On January 14, 2009, CAA President Paul 
Jaskot and CAA Executive Director Linda Downs 
sent a letter to Bill Ivey of President-elect 
Barack Obama's transition team, discussing the 
needs of artists and scholars in the coming years.
CAA has signed onto letters with many 
other nonprofit organizations urging full funding 
for the National Endowment for the Arts (NEA), 
the National Endowment for the Humanities (NEH), 
and the Institute for Library and Museum Services 
(IMLS). However, CAA felt that it was necessary 
to have a separate voice on issues of importance 
to its members.
CAA will have a presence in Washington, 
DC, in March 2009 at the Humanities Advocacy Day 
<http://www.nhalliance.org/conference/2009/>
and 
Arts Advocacy Day 
<http://www.artsusa.org/events/2009/aad/default.asp>
. Jaskot and Downs will be making separate 
appointments to visit the new chairs of the NEA, 
NEH and IMLS once they have been appointed.
-------------------------------------------------
CAA Letter to President-elect Barack Obama
January 14, 2009
President-elect Barack Obama
President-elect Transition Team
Dear President-elect Barack Obama:
College Art Association, representing 
over 16,000 artists, art historians, scholars, 
curators, collectors, art publishers, 
universities, and libraries, looks forward to 
working with you and your administration to 
ensure the revitalization of support for 
professional artists and art historians in 
America.
College Art Association:
* Promotes excellence in 
scholarship and teaching in the history and 
criticism of the visual arts and in creativity 
and technical skill in the teaching and practices 
of art;
* Facilitates the exchange of ideas 
and information among all people interested in 
art and the history of art;
* Advocates comprehensive and 
inclusive education in the visual arts;
* Speaks for its membership on 
issues affecting the visual arts and humanities;
* Publishes scholarly journals, art 
criticism, and artists' writings;
* Fosters career development and professional advancement;
* Identifies and develops sources 
of funding for the practice of art and for 
scholarship in the arts and humanities;
* Supports and honors the 
accomplishments of artists, art historians, and 
critics; and
* Articulates and affirms the 
highest ethical standards in the conduct of the 
profession.
As the leading association in the world 
that represents professional visual-arts 
practitioners, CAA endorses your campaign 
platform's support of the arts. We strongly agree 
that in order to remain competitive in the global 
economy America must reinvigorate the creativity 
and innovation that has made this country great.
CAA would like your Administration to 
include not only community arts organizations in 
its arts program of support but, also, to give 
greater focus to professional artists and art 
historians in academia, art museums, and 
independent professional visual-arts 
practitioners. Visual art must be reinstated as a 
respected and esteemed profession in America.
CAA advocates that professionally 
educated artists and art historians teach K-16 
students. To meet this end we must offer all 
students, K-16, equal access to visual-arts 
education taught by professionally trained 
instructors in studio art and art history.
We also believe that public/private 
partnerships should expand not only between 
schools and communities but also among the 
academic community within colleges, universities, 
and art schools.
We endorse the creation of an art corps 
comprised of professionally educated artists and 
art historians who will work with students in 
urban schools on community-based projects that 
raise the awareness of the importance of 
creativity and professional artists. CAA would 
also like to see an emphasis on visual arts in 
government-sponsored projects such as AmeriCorps, 
in both urban and rural areas that address job 
preparation as well as environmental issues. 
Professional artists are eager to work on 
environmental programs that involve 
community-organized design projects.
CAA would like to emphasize that, in 
order to publicly champion the importance of arts 
education, America needs to support the proper 
preparation and training of artists and art 
historians who teach at the primary, secondary, 
and college/university levels. Visual arts need 
to become part of the core curriculum in each 
grade and at every stage of education.
CAA fully supports increased funding for 
the National Endowment for the Arts, the National 
Endowment for the Humanities, and the Institute 
for Library and Museum Services. Specifically, 
professional artists need to be supported on an 
individual basis, and we strongly recommend 
reinstatement of the Individual Artist Fellowship 
program to enable our best artists to pursue and 
develop their work. We have found that grants to 
other areas of the arts and humanities far exceed 
federal and private foundation grants to 
professional visual artists. It would be an 
outstanding legacy of this administration to 
again make federal support of the arts a priority 
in defending the promotion of our nation's 
cultural heritage.
CAA supports legislation that will allow 
scholars to publish so-called orphan works, which 
are copyrighted works-such as books, pictures, 
music, recordings, or films-whose copyright 
owners cannot be identified or located. This 
legislation has been introduced in prior 
Congresses, and we hope it will be passed during 
the new Congress. Due to the risks of publishing 
copyrighted material without obtaining 
permission, many art historians and scholars are 
unable to publish orphan works, thereby causing 
great detriment to scholarly publishing, research 
and public access to these works. At the same 
time, orphan works legislation must be carefully 
crafted in respect to the legitimate interests 
and concerns of visual artists, including 
photographers.
CAA supports your platform for cultural 
diplomacy by enhancing international 
opportunities offered through agencies, such as 
the United States Information Agency, for 
exhibitions, teaching, research, and lecture 
tours by professional visual artists and art 
historians. CAA's international membership 
testifies to the promotion of cultural 
understanding that occurs through international 
cultural exchange. Every year CAA seeks funding 
to support travel of international artists and 
art historians to its Annual Conference. Current 
Homeland Security laws and a lack of government 
funding make it difficult for foreign artists and 
scholars to present their work and research at 
conferences of their peers. CAA endorses 
streamlining the visa process and providing 
government support for international exchanges of 
graduate students and professional artists and 
art historians.
CAA supports providing health care to 
professional artists and art historians. This is 
a major concern for professional artists and art 
historians who are not associated with a college, 
university, or art museum and attempt to work 
independently to support themselves. As you are 
aware, each state has its own laws on insurance. 
Professional organizations such as CAA would like 
to offer national healthcare coverage for artists 
but are prohibited from offering insurance to its 
members due to differences in state laws. CAA 
endorses the creation of a National Health 
Insurance Exchange as one step in the direction 
of coverage for artists. In the meantime, we 
encourage you to press for government reforms of 
insurance laws so that professional organizations 
such as CAA will be in a position to assist its 
members to obtain universal coverage.
CAA endorses tax fairness for artists. We 
have worked hard-and will continue to work 
hard-to support the Artist-Museum Partnership 
Act, which was introduced in the prior Congress 
by Senator Patrick Leahy (D-VT). The Act amends 
the Internal Revenue Code to allow artists to 
deduct the fair market value of their work, 
rather than just the costs of the materials, when 
they make charitable contributions of that work. 
Not only has the current tax law been harmful to 
artists, the creative legacy of a whole 
generation of professional visual artists has not 
been donated to our great public institutions 
because of disincentives to donate created by the 
current tax laws.
CAA realizes that change takes the 
support and involvement of every member of 
society. CAA is committed to promoting the 
support of professional visual artists and art 
historians in all areas of American society. We 
stand ready to help provide information on visual 
arts professionals, suggestions for specific 
programs, or any other aid that you may find 
helpful in promoting a better world for artists 
and art historians in America.
With your leadership and the groundswell 
of support for activism, we can reestablish the 
professional visual-arts practitioner as a 
contributor to positive cultural change in 
America.
Sincerely yours,
Paul Jaskot, President, CAA, and 
Professor of Art and Art History, DePaul 
University; and Linda Downs, Executive Director, 
CAA
Read moreS? 
<http://www.collegeart.org/news/2009/01/15/caa-letter-to-barack-obama/>
=====================================
This CAA Resolution is now at the Services to the 
Members Committee and it, or some version of it, 
will likely go to the CAA Board for approval:
Public arts funding is a long accepted practice 
in this and most countries in the world. 
However, in the U.S.A. and in the states the 
levels of government support has been and is 
rather small per capita. In the last few years, 
most pubic art support has declined like many 
allocations such as support for higher education 
as a response to political initiatives to reduce 
or divert revenues to other priorities. With the 
onset of the current economic crises and a 
commitment by the new federal government to a 
large-scale effort to stimulate the economy by a 
number of infrastructure investments and job 
programs, there clearly is a need to address a 
number of other areas of the economy to the same 
ends. Already there are calls for federal 
education support. Those of us in the arts see 
that real economic and social benefits can come 
from the federal government if allocations are 
increased to existing programs as well as new 
initiatives. Since we are an association of arts 
professionals in colleges and universities, 
support for our institutions can work towards the 
same ends.
Whereas, public arts funding is crucial to 
continue to help bring organized support for a 
wide range of cultural practices to all citizens 
of the United States and that
Whereas these practices need to be of many kinds 
from folk and ethnic culture to the fine arts and
Whereas a number of public and private 
institutions such as schools and colleges, 
nonprofit organizations and museums are some the 
places and spaces for cultural activities and
Whereas, expanded public arts funding would be of 
great benefit to the field of arts embodied in 
educational and research institutions, museums, 
publications, exhibitions and
Whereas all forms of cultural practices need 
public support and some of them are the visual 
arts, theater, music, dance, literature and 
poetry, mixed media and skilled crafts and
Whereas the National Endowment for the Arts has 
been the primary source of such funding, that it 
broaden its scope to once again provide grants to 
individual artists, historical and critical 
research in the arts and
Whereas the contracting economy is decreasing 
employment in many public and private sectors of 
the arts and
Whereas, support is needed in institutions as 
well as individual practices, the NEA needs to 
revive areas of funding it abandoned such as 
individual artist and critics grants,
Therefore be it resolved that the College Art 
Association be on record in support of a many 
fold increase in arts funding by the federal 
government and particularly the NEA.