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[PADG:439] RE: Photocopier specs
Title: Photocopier specs
We do
quite a lot of preservation photocopying, mostly of scores, which are larger
format than books. Therefore our first requirement in a preservation photocopier
is that it accommodate 11x17 paper, which we use about 90% of the time. When we
copy books smaller than 8.5x11, though we sometimes use 8.5x11 paper, we prefer
to copy in folios so that the preservation photocopy can be sewn through the
fold. This does mean cutting special 11x17 paper with the grain running short so
that the grain in the bound book is correct.
The
next most important requirement we've found to be that the machine can
be programmed to heighten contrast, so that paper blemishes, and to a large
degree acid-darkened paper, don't show in the photocopy. This would be something
to have demonstrated on samples.
We
normally disbind scores before photocopying them, so that having the photocopier
be "book-friendly" has not been a high priority for preservation purposes. When
we last researched copiers we were unable to find a book-friendly one that did
produced copies of as high a quality as the one we have. If this has changed, it
would be nice!
I have
not, I must admit, done a great deal of research into the longevity of toners.
However, I have been told by several dealers pushing different products that
there is negligible difference among machines in toner retention nowadays, and
that they would expect paper wear to be more of a factor than toner, say,
sticking to opposite pages, as I can remember from times past.
The photocopier we use for preservation work is the same one used for all other
staff photocopying, a Canon IR220. I recommend it.
Some
(high-end) photocopiers can export image data to files, so that you are
photocopying and scanning at the same time. I haven't looked into that, but
it would be one way to incorporate scanning into a preservation photocopy
program. What we do is to run the photocopies through a sheet-feed
scanner using Acrobat Capture to produce files of pdf images, set so that
each batch run through the scanner produces one file. This takes very little
time. We then upload the images to Dspace, in which our institution is
involved, so that the files can remain at a stable URL, then link that
to our OPAC. This means that any time we make a preservation photocopy we also
have an opportunity to scan a copy for wide access. We do this for scores that
are in the public domain and out of print, with particular attention to those
that are requested through ILL or by patrons who have discovered we do this
service (we have a well-hidden request button on our web page) or have few
copies listed on OCLC. So far we have run the entire scanning program without
added staff, and have uploaded 174 titles since last August. They can
be found at https://dspace.lib.rochester.edu/handle/1802/291/browse-title.
We're very pleased with that program so far.
Alice
Carli
Conservator
Sibley
Music Library
Our copier contract is being
renewed, and my staff and I were reviewing the copier specs. What
copiers are best for preservation purposes? When, if ever, is scanning a
viable, economic option?
As always, thanks in
advance!
Stefanie
Stefanie DuBose
Head, Acquisitions
Academic Library
Services
East
Carolina University
Greenville, NC 27258-4353
(p)252-328-2598
(f)252-328-4834
duboses@xxxxxxxxxxxx